This blog is the place where I post reviews of the books I have read. I review audiobooks, regular books and eBooks for authors and publishers as well as any other book or audiobook that catches my eye.
Go behind the scenes inside the nation’s preeminent Office of the Chief Medical Examiner, where good people fight the good fight amid the tragedies and absurdities of our age.
Perfect for fans of Michael Lewis and David Simon (Homicide, The Corner, The Wire, We Own This City)
Real life is different from what gets depicted on procedural crime dramas.
Equipped with a journalist’s eye, a paramedic’s experience and a sardonic wit, Bruce Goldfarb spent ten years with Maryland’s Office of the Chief Medical Examiner, where every sudden or unattended death in the state is scrutinized.
Touching on numerous scandals, including Derek Chauvin’s trial for the murder of George Floyd and the tragic killing in police custody of Freddie Gray, Goldfarb pulls back the curtain on a pioneer institution in crisis.
Medical examiners and the investigators and technicians who support them play vital roles in the justice and public health systems of every American community. During Goldfarb’s time with the Maryland OCME, opioid-related deaths contributed to a significant increase in their workload. Faced with a chronic shortage of qualified experts and inadequate funding, their important and fascinating work has become more challenging than most people could ever imagine.
The public gets a skewed view of the relationship between police and medical examiners from procedural crime dramas, Bruce Goldfarb writes of his work inside one of America’s most storied forensic centers. We aren’t on the same team . . . We aren’t on any team. The medical examiner’s sole duty is to the deceased person. We speak for the dead.
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MY REVIEW:
Exquisitely readable and surprisingly relatable, OCME Life in America’s Top Forensic Medical Center is a book I read in a single sitting. Despite needing sleep, I was unable to put this book down.
Author Bruce Goldfarb brings readers along with him for a detailed look at what life is really like in the Maryland Office of the Chief Medical Examiner.
Think this book would be too macabre to read? You would be massively wrong. OCME does NOT rely on the glorification of blood and guts to sell books. It is so interesting that it simply doesn’t need to.
Full of eye-opening facts and fascinating details, OCME will open the eyes of its readers to the ridiculousness of red tape in any and every bureaucracy; even the bureaucracy of death itself.
Although this might not have been the author’s goal, he has nevertheless succeeded in bringing to light the horrific statistics surrounding many of the most concerning ways in which people have died over the past decade. Granted, the statistics used in this book only represent the state of Maryland, however, these are the same issues faced by most other states and cities in North America. For example, the author highlights the alarming number of people who have died due to the Opiod Epidemic.
This book will open people’s eyes to the importance of having skilled and highly trained medical examiners. The result of this will hopefully be that both taxpayers and politicians will allocate more money in their budgets to the OCME in their respective jurisdictions.
Some of the most shocking, and frankly disturbing, information contained within the pages of this book are the following facts:
[ ] “About half of the US population is under the jurisdiction of coroners and lacks access to qualified forensic pathologists…”
[ ] “In states including Wisconsin, Missouri, Indiana, Illinois, New York, Idaho, Georgia, Colorado, and Nevada, elected coroners aren’t required to have ANY medical or legal training before they can certify the cause and manner of death.”
[ ] In Missouri, to serve as a coroner, the requirements are minimal. You only have to be 21 or older, and have to get more votes than anyone else. There is absolutely NO MEDICAL KNOWLEDGE NECESSARY. That is ridiculous. “If a person is elected coroner, they can crack open a beer and start signing death certificates.”
I rate OCME as 5 out of 5 Stars ⭐️ ⭐️ ⭐️ ⭐️ ⭐️
I recommend this book not only to fans of True Crime, but also to everyone who wants to be more informed about Public Health, Politics, and/or general nonfiction enthusiasts.
Reading this book and spreading the word about it could be the difference between a murderer being caught or going free. It just might be the reason a killer is caught and the lives of future potential victims are saved.
*** Thank you to #NetGalley and #Edelweiss for providing me with a free advance review copy of this book. ***
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ABOUT THE AUTHOR:
Photo by Jennifer Bishop
Bruce Goldfarb was the executive assistant to the Chief Medical Examiner for the state of Maryland, US, where the ‘Nutshell Studies of Unexplained Death’ are housed.
He was the public information officer for the Office of the Chief Medical Examiner and trained as a forensic investigator.
Bruce began his career as a paramedic before becoming an award-winning journalist reporting on medicine, science and health. Through his work with the Nutshell Studies, Bruce earned the trust of Frances Glessner Lee’s family and caretakers of her estate, and was designated Lee’s official biographer.
To learn more about this author visit the following links:
Since 1994, Steerforth Press has sought to publish books that are written well, intended to engage the full attention of the reader, and have something new or important to say. Our active backlist features timeless works of fiction and poetry, but our current program focuses exclusively on works of narrative nonfiction.
To learn more about this Publisher visit the following links:
What was it like growing up as a smart girl in a world of 1970s suburban conformity?
What family secrets were hidden behind the vertical blinds and sliding glass doors, or swept under the orange shag carpets?
Is it possible to move from married mother-of-two to lesbian feminist activist without passing heartache?
In her bittersweet memoir, Mary Fairhurst Breen sketches scenes from a life darkened by four generations of mental illness and addiction.
Despite the odds, Mary’s sense of humor and willingness to practice “radical acceptance” see her through the chaos to a life full of friends, art, and the joys of being a grandmother.
Ultimately, she must face her greatest challenge of all when her daughter becomes one of the tens of thousands of people every year to die of an opioid overdose.
This is a journey of awakening and activism, and a portrait of a life to be celebrated in all its complexity.
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Watch Mary Fairhurst Breen on The Social:
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MY REVIEW:
ary Fairhurst Breen may be a translator by trade, but she missed out on her true calling … until now.
I believe she was always destined to be a writer, and not just any ordinary, run-of-the-mill kind of writer. Her writing has the potential to change lives for the better.
Mary’s life experiences are vast and varied. The lessons she has learned throughout her unconventional life contain wisdom that can be applied to every one of us.
The title of this memoir offers readers a clue as to exactly what kind of luck the author has had in her life. The title of her memoir is based on the saying:
“If it weren’t for bad luck, I wouldn’t have any kind of luck at all.“
What could easily have been a book filled solely with times in Mary’s life when she experienced grief and pain, is instead, filled with poignant moments and life events.
Some moments are sad, some happy, and some downright hilarious. Somehow author Mary Fairhurst Breen has hit on the perfect formula to appeal to a wide variety of readers.
Mental illness and addiction have gripped members of Mary’s family for generations. Her most devastating loss to date is the death of her beautiful, creative, and special adult daughter Sophie to opioid poisoning.
“We all like to think our generation will be the one to set old family patterns ablaze, to toss the whole damned drafting table onto the bonfire and dance around the ashes completely cleansed. But we instinctively gravitate toward the familiar, for better or worse. New research into intergenerational trauma, and the Indigenous understanding that our decisions affect the next seven generations, can at least shed light onto what’s going on in the present. We can’t eliminate the pain we are bequeathed; we can only deal with it better as time passes.”
The author could easily be forgiven for curling up into a ball of depression and spending her days in bed; but she doesn’t do any such thing. Instead, her determination and will to survive the many traumas she has endured allows her to continue living her life with “radical acceptance.” She has channeled her grief into a call for action.
Author Mary Fairhurst Breen has written a beautifully written and exquisitely honest memoir of a life that has been anything but easy. She documents her life and the moment she chose to admit what had always been inside her.
I rate ANY KIND OF LIFE AT ALL as a solid 5 out of 5 Stars ⭐️ ⭐️ ⭐️ ⭐️ ⭐️
The fact that June is Pride Month means this is the perfect time to pick up a copy of this book. Also, don’t forget to enter to win a paperback copy on my blog and social media sites.
HOW TO ENTER TO WIN:
1. Leave a comment below to earn one entry into the giveaway.
2. Visit my Instagram page and click FOLLOW to gain a second entry.
3. Earn an additional entry by commenting on the giveaway post on my Instagram page.
Giveaway starts today
Ends on June 30th, 2022
QUOTES I LOVE:
“… I see not a wrinkly, plump, postmenopausal woman in the mirror, but rather someone fortyish, of average build. I have conceded that my breasts no longer point straight ahead, but instead indicate a spot on the floor a couple of metres in front of me, where I have perhaps dropped something important.”
“[Mary and her mother] never talked about orgasms, whereas my daughters were quite unselfconscious about discussing theirs with me. I remember my daughter Sophie cheerfully bringing up the topic of female ejaculation at breakfast one morning. She asked, ‘Which hole does the stuff come out of?’ I helpfully spurted coffee from my nose.”
“There are so many things one has to let go of past fifty, but an equal number of things one gets to let go of at the half-century mark. It is fantastically liberating to cease giving a fuck as one ages. I’ve been giving ever fewer fucks since my early forties, but why must it take so long to get to this place?”
*** Thank you to #SecondStoryPress and #MaryFairhurstBreen for providing me with a free copy of this book. ***
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ABOUT THE AUTHOR:
Photo by: Maggie Knaus
A translator by training, I spent thirty years in the not-for-profit sector, managing small organizations with big social change mandates. During those decades, I wrote innumerable newsletters, policy documents and outreach materials, and more grant proposals than I would care to count. After multiple lay-offs due to funding cuts, I launched my own arts business, indulging my passion for hand-making. It was a colossally enjoyable and unprofitable venture. While running the business, I supported myself with extra writing and editing jobs. Its demise gave me the time and impetus to really focus on my own artistic practice. I began with the goal of sharing my family history with my daughters, went on to publish some autobiographical stories, and wound up with my first book, Any Kind of Luck at All.
I had a father incapacitated by bipolar disorder and OCD, and a strong, smart, loving mother who died too young. I had to develop my own strategies to cope with my father’s needs, an alcoholic husband, two traumatized children, ever-worsening financial insecurity, and my shifting sexual identity. I supported my younger daughter through the debilitating mental illness that ultimately led to her death by fentanyl poisoning in 2020. Now a (young) grandmother, I want to pursue art for so many reasons: to support myself, to maintain my mental health, to help others with similar challenges, and to honour those I have lost and those I hold dear.
I am currently working on an oral history-based series of books for middle-grade readers.
To learn more about this author visit the following links:
In his first True Crime memoir, undercover operator Norm Boucher recounts eight months spent infiltrating Vancouver’s heroin scene, a world of paranoia, ripoffs, and violence.
It is 1983 and the War on Drugs is intensifying. From his barroom observer’s seat, Boucher candidly reveals the lives of heroin addicts who spend each day looking for their next hit. Their dangerous subculture, centred around three gritty hotels on the Granville Strip, becomes Boucher’s domain as he attempts both to gain acceptance in a world far removed from his own and to keep himself safe.
With Horseplay, decorated RCMP officer Norm Boucher takes readers back to the assignment that shaped his outlook on the role of criminal law enforcement and the human side of addiction as it collides with the ruthlessness of the drug business.
MY REVIEW:
True Crime has become a topic of mainstream interest. What was once only followed by law enforcement and dedicated ‘web sleuths,’ has now become a topic discussed by “regular” people all over the world.
This newfound audience has led to the publishing of myriad numbers of books, and also to the creation of thousands of podcasts, ensuring that every subset crime is being covered. I readily admit that I am a ‘True Crime Junkie’ and have been since I was a young adult (which was a thousand years ago if you ask my kids.)
What is underrepresented in this genre is Canadian stories. Yes, there are some, but most seem to focus on serial killers and/or other sensational and well-known murder cases. That is one of the reasons why I was so interested in reading HORSEPLAY.
In HORSEPLAY we get a glimpse behind the curtain of undercover work in Canada. And, lucky for readers, we get the information straight from the undercover operator himself.
Now retired, Norm Boucher has written about one of the undercover operations he worked on in Vancouver in the early 1980s. He was tasked with befriending the heroin junkies and especially their dealers with the goal of making arrests and trying to determine where the bulk of the heroin was coming from.
In the pages of HORSEPLAY readers will be shown the truth of undercover work — that most of it is not the glamorous lifestyle shown in movies or fiction books.
Spending eight months — day after day and night after night on Vancouver’s Granville Strip with addicts whose entire lives centered around shooting heroin. As soon as they used up their supply, they spent their time hustling to find their next hit. All while trying to avoid being ripped-off, robbed or beaten.
What Author Norm Boucher witnessed during that time profoundly changed how he viewed those he interacted with.
Norm pulls no punches when he writes, but I don’t want to give away too many spoilers from the book. Because of that, I humbly suggest that if you have any interest in True Crime, in Addiction, or in the real operations of Canada’s undercover officers that you pick up a copy of this fascinating memoir. This should be required reading for all up and coming law enforcement personnel and for anyone working with people who have addictions.
I feel that this book is so important and so fascinating, I have no choice but to rate it as 5 OUT OF 5 STARS ⭐⭐⭐⭐⭐
Thank you to the author for providing me with a free copy of this book.
ABOUT THE AUTHOR:
Norm Boucher left Montreal at the age of nineteen to begin a long and rewarding career as an RCMP officer mostly dedicated to drugs and organized crime. An active member of the RCMP undercover program for over ten years, his assignments included drug trafficking, money laundering, and homicide. He eventually represented the RCMP as a member of the Canadian delegation to several Regular Sessions of the Inter-American Drug Abuse Commission of the Organization of American States, held in Washington D.C. and Mexico City, where he helped develop a community policing program aimed at drug harm reduction. His varied career included postings on the national anti-terrorist Special Emergency Response Team, as Marine drug enforcement coordinator on Canada’s West Coast, and as liaison officer in Madrid, Spain, and Santo-Domingo, Dominican Republic.
In 1983, Staff-Sergeant Boucher spent eight months infiltrating the heart of Vancouver’s heroin scene. This experience became the subject of his memoir Horseplay: My Time Undercover on the Granville Strip, which he wrote over a period of several years, while continuing to fulfill his RCMP responsibilities in Canada and abroad. In 2012, Norm Boucher retired from the RCMP as a Staff-Sergeant, dedicating his time to writing and his work as a consultant.
Norm Boucher studied literature at the University of Waterloo. He is the recipient of the Governor General’s Medal of Bravery, the Carnegie Medal, and the Queen’s Diamond Jubilee Medal.
He is the proud father of four children and now lives in Manotick, Ontario with his wife Sally and their dog Cooper.
To learn more about this author, visit the following links:
A chilling true story—part memoir, part crime investigation—reminiscent of Ann Rule’s classic The Stranger Beside Me, about a little girl longing for love and how she found friendship with her charismatic babysitter—who was also a vicious serial killer.
Growing up on Cape Cod in the 1960s, Liza Rodman was a lonely little girl. During the summers, while her mother worked days in a local motel and danced most nights in the Provincetown bars, her babysitter—the kind, handsome handyman at the motel where her mother worked—took her and her sister on adventures in his truck. He bought them popsicles and together, they visited his “secret garden” in the Truro woods. To Liza, he was one of the few kind and understanding adults in her life. Everyone thought he was just a “great guy.”
But there was one thing she didn’t know; their babysitter was a serial killer.
Some of his victims were buried—in pieces—right there, in his garden in the woods. Though Tony Costa’s gruesome case made screaming headlines in 1969 and beyond, Liza never made the connection between her friendly babysitter and the infamous killer of numerous women, including four in Massachusetts, until decades later.
Haunted by nightmares and horrified by what she learned, Liza became obsessed with the case. Now, she and cowriter Jennifer Jordan reveal the chilling and unforgettable true story of a charming but brutal psychopath through the eyes of a young girl who once called him her friend.
Chilling. Horrifying. Almost Unbelievable. Terrifying.
I cannot imagine how the author must have felt when she learned that the man who babysat her and her sister when they were young was actually a notorious serial killer. YIKES!!!
Now, as an adult, Liza is obsessed with learning all the details she was unaware of as a child. It is little wonder she was plagued by nightmares for years.
The point of view makes this true crime tale unlike any other and readers will be unable to put the book down.
Not only does this book delve into the crimes and Liza’s tie to them – including a trip to what turned out later to be his personal secret graveyard, it also explores how a child neglected by her family needed someone to pay attention to her. It also highlights just how different life was in the 1960s and how innocent people were back then.
A five out of five star rating is well deserved. ⭐⭐⭐⭐⭐
Releasing on March 2nd, 2021 THE BABYSITTER can be pre-ordered now.
*** Thank you to NetGalley for providing me with a free copy of this book. ***
ABOUT THE AUTHOR:
Photograph by Joel Benjamin
ARTICLE ABOUT SERIAL KILLER TONY COSTA –Written by Kurt Vonnegut
Bruce McArthur pleaded guilty to killing these eight men. Top row, from left to right: Skandaraj Navaratnam, Andrew Kinsman, Selim Esen and Abdulbasir Faizi. Bottom row, from left to right: Kirushna Kumar Kanagaratnam, Dean Lisowick, Soroush Mahmudi and Majeed Kayhan. (John Fraser/CBC)
DESCRIPTION:
The tragic and resonant story of the disappearance of eight men — the victims of serial killer Bruce McArthur — from Toronto’s queer community.
In 2013, the Toronto Police Service announced that the disappearances of three men–Skandaraj Navaratnam, Abdulbasir Faizi, and Majeed Kayhan — from Toronto’s gay village were, perhaps, linked. When the leads ran dry, the investigation was shut down, on paper classified as “open but suspended.”
By 2015, investigative journalist Justin Ling had begun to retrace investigators’ steps, convinced there was evidence of a serial killer.
Meanwhile, more men would go missing, and police would continue to deny that there was a threat to the community. On January 18, 2018, Bruce McArthur, a landscaper, would be arrested on suspicion of first-degree murder. In February 2019, he was sentenced to life in prison for the murders of eight men.
Canadian Serial Killer Bruce McArthur Ho / THE CANADIAN PRESS
This extraordinary book tells the complete story of the McArthur murders. Based on more than five years of in-depth reporting, this is also a story of police failure, of how the queer community responded, and the story of the eight men who went missing and the lives they left behind. In telling that story, Justin Ling uncovers the latent homophobia and racism that kept this case unsolved and unseen. This gripping book reveals how police agencies across the country fail to treat missing persons cases seriously, and how policies and laws, written at every level of government, pushed McArthur’s victims out of the light and into the shadows.
MY REVIEW:
MISSING FROM THE VILLAGE is destined to become a National Bestseller.
Investigative Reporter Justin Ling, himself a member of Toronto’s LGBTQ community – the very same community from which McArthur chose his victims – is uniquely qualified to author this book.
I say this, NOT based on his sexuality, I say this because he seems to have been the only person, and definitely the only reporter, who was interested in finding out what was happening in Toronto’s Gay Village YEARS before the police even considered the men’s disappearances to be connected. Not only that, but because Justin knows the area, and is a reporter with a heart who cares (sometimes too much) about each victim as a person, not as just another face in the lineup of victims. Justin is the only person who could tell this story without sensationalism getting in the way.
I have read numerous true crime books over the span of many years, but MISSING FROM THE VILLAGE is unique. It is superbly told so that the focus is not on the gruesome crimes themselves, but is on the story as a whole. I love that the author was so wrapped up in the story that, at times, he had to fight back tears.
Canada has its fair share of crimes, including murder, but Canadian serial killers are rare. These killers seem to focus on marginalized populations, seeing those victims as disposable. The problem is that they seem to be right. It took way too long for the police to catch this POS.
Sex, murder and secrets are the basis for this horrific true crime story that, if I didn’t know better, I would never have believed to be true, especially not here in Ontario, Canada.
MISSING FROM THE VILLAGE is a MUST READ if you want to know the entire story, not just of Bruce McArthur and his victims, but also the history of Toronto’s gay village and the fight for LGBTQIA2S rights, and why Bruce McArthur was able to go on killing over the span of several years and remain undetected.
McArthur’s victims were real people who had loved ones and friends who still miss them.
In this era of the #metoo movement and the calls to #defundthepolice and, of course, #blacklivesmatter we all need to remember that many people are still seen as unimportant. THIS NEEDS TO STOP.
For decades people who are queer, who are sex workers, who are black, who are brown, who are Indigenous, who are homeless, and many more, have been treated as if their lives do not matter. It is up to each and every one of us to make sure we see, REALLY SEE, every life as equal and as precious. This book will open people’s eyes, it is up to us to ensure our eyes stay open.
If we can do this, maybe, just maybe, we can stop the next Bruce McArthur from being able to choose victims at will.
I rate MISSING FROM THE VILLAGE as 5 OUT OF 5 STARS ⭐⭐⭐⭐⭐ and I will be watching for Justin Ling’s byline, and hopefully another book.
I just discovered that you can Pre-order the hardcover version of this book on the Chapters/Indigo website for a reduced price. It is currently 25% off, but I am not privy to when this offer ends, so I suggest you pre-order your copy ASAP.
Pre-Order NOW and Save 25%
*** Thank you to NetGalley for providing me with a free copy of this book. ***
QUOTES:
“The bar changed colour like a drag queen trying on new shades of lipstick.”
“The contrast between the bright paint and the rest of the dour building gave Zipperz the particular quality of being a portal into another world, a secret passageway.”
“The campaign to find a missing loved one sits exactly between hope and dread.”
ABOUT THE AUTHOR:
JUSTIN LING is an investigative journalist whose reporting has focused on stories and issues undercovered and misunderstood.
His writing has appeared in Vice News, BuzzFeed, Foreign Policy, Motherboard, the Globe and Mail, the National Post, and the Guardian.
The definitive account of the most notorious street gang in America—the MS-13—as seen through the lives of gang members and their families caught in its malicious web.
The MS-13 was born from war. In the 1980s, El Salvador was enmeshed in a bloody civil conflict. To escape the guerrilla assaults and death squads, many fled to the US and settled in Los Angeles. Among them were Alex and his brother.
There, as a survival instinct, Alex and a small number of Salvadoran immigrants formed a group called the Mara Salvatrucha Stoners, a relatively harmless social network bound by heavy metal music and their Salvadoran identity. But later, as they brushed against established local gangs, the group took on a harder edge, selling drugs, stealing cars and killing rivals who threatened their territories. As authorities cracked down, gang members like Alex were incarcerated and deported. But in the prison system, the group only grew stronger, and in Central America, the gang multiplied, eventually spreading to a half-dozen nations in two continents.
Today, MS-13 is one of the most infamous street gangs on earth, with an estimated ten thousand members operating in dozens of states and linked to thousands of grisly murders each year in the US and abroad. But it is also misunderstood—less a drug cartel and more a hand-to-mouth organization whose criminal economy is based mostly on small-time extortion schemes and petty drug dealing. Journalist and longtime organized crime investigator Steven Dudley brings readers inside the nefarious group to tell a larger story of how a flawed US and Central American policy, and the exploitative and unequal economic systems helped foster the gang and sustain it. Ultimately, MS-13 is the story of the modern immigrant and the perennial battle to escape a vortex of poverty and crime, as well as the repressive, unequal systems that feed these problems.
Judges’ citation: This timely and incisive work, speaking directly to the mission and purpose of the Lukas Work-in-Progress Awards, centers on one immigrant Salvadoran family that represents the complexities of the story of Mara Salvatrucha (MS13), the notorious gang that is the U.S. government’s number one target in its efforts to rid the country of “criminal aliens.”
Without ever minimizing the brutality of this gang, the book dispels many of the myths surrounding its history and power. More important, MARA is the story of flawed U.S. and Central American policies over many years and the exploitative and unequal systems they create.
MY REVIEW:
************************** TRIGGER WARNING: This book contains violent scenes, both physical and sexual, and should not be read by individuals who might find themselves triggered by vivid descriptions of violence and murder.
This book is NOT for the Faint of Heart. Please exercise caution when reading and if at any time you feel you need to stop reading, I encourage you to put this book down and walk away. **************************
MS-13 IS A CRIMINAL GANG. They are well known for their violence and brutality.
Journalist and author Steven Dudley has spent years reporting on gangs, government and violence in Central America. In writing MS-13: The Making of America’s Most Notorious Gang, he has written a comprehensive account as to how MS-13 was formed and how that gang spread from Central America to the United States.
What this book achieved for me was that it dispelled the notion that MS-13 is a strictly structured unit and that there is one singular person at the top and that all other members were co-ordinated and part of a whole. This is simply not true. Each clique of MS-13 essentially acts on its own and sometimes cliques will war with other MS-13 cliques.
What does seem true of almost every MS-13 gang member, who spoke to the Author, is that that person grew up surrounded by violence and chaos, and had joined the gang (at least initially) as a way to protect themselves from outside forces.
President Donald Trump seems woefully misinformed about this gang and in fact gives them more credit than they deserve. By labelling MS-13 as Public Enemy Number One, all the President has done is that he has given potential gang recruits an additional reason for joining the gang. Many (even most) of the current MS-13 gang members living in the United States have fled their war-torn homelands to seek a better way of life. The problem is that when they arrive in the States, they realize that their lives are not much better than the lives they had fled.
MS:13 has been added to the list of Most Dangerous Gang Organizations in the United States.
I believe that anyone who wants to work with gang members on finding a new way of life should view this book as required reading. It is impossible to effect change if the history and dynamics of life as part of an MS-13 mara are not understood.
I rate this book as 4 OUT OF 5 STARS ⭐⭐⭐⭐
It is a fascinating read, but I also need to warn potential readers that the violence and brutality detailed in this book may be triggering for some people.
*** Thank you to NetGalley for providing me with a free copy of this book. ***
ABOUT THE AUTHOR:
Steven Dudley is the co-director of InSight, a joint initiative of American University and the Fundación Ideas para la Paz in Colombia, South America, aimed at monitoring, analyzing and investigating organized crime in the Americas. Based in Washington D.C., Dudley works with a team of five investigators and various contributors throughout the region to give the public a more complete view of how organized crime works in the Americas, as well as its impact on public policy and communities from the Rio Grande to Patagonia.
Before launching InSight, he worked as the Bureau Chief for The Miami Herald in the Andean Region and wrote a book: Walking Ghosts: Murder and Guerrilla Politics in Colombia (Routledge 2004). Dudley has also reported from Haiti, Brazil, Nicaragua, Cuba, Venezuela and Miami for National Public Radio, The Washington Post, and the BBC’s The World; and written feature articles for The Washington Post Magazine, The Economist, Columbia Journalism Review, The Progressive, and The Nation. His current projects include a documentary film, which aired on Colombia’s RCN Television in September 2010.
Dudley has a BA in Latin American History from Cornell University and an MA in Latin American Studies from the University of Texas at Austin. He speaks Spanish and Portuguese fluently. He has taught high school as well as worked in Human Rights.
His range of experience, languages and reporting skills give him the tools to perform in any environment.
Honors and Awards:
Knight Fellowship: Stanford University : In 2007, Dudley was awarded the prestigious Knight Fellowship for professional journalists.
Society of Professional Journalists Sunshine State Award : Dudley was part of a team that won second place for international reporting in 2006 from the Society of Professional Journalists at its Sunshine State Awards for a series on land mines in Latin America.
Overseas Press Club Malcolm Forbes Award for Best Business Reporting from Abroad
To learn more about this author, visit the following links:
An MS13 linked gang in El Salvador known as the Black Widows has been convicted of forcing women to marry men and then killing their new husbands as part of a complex life insurance scheme — a case which helps shed light on women in organized crime in Central America. – Photograph and Information Obtained from INSIGHT CRIME. The Mara Salvatrucha, or MS13, is perhaps the most notorious street gang in the Western Hemisphere. While it has its origins in the poor, refugee-laden neighborhoods of 1980s Los Angeles, the gang’s reach now spans from Central America to Europe. While they are largely a predatory criminal organization, living mostly from extortion, the gang’s resilience owes to its strong social bonds, which are created and strengthened via acts of violence against mostly their rivals and one another. Their activities have helped make the Northern Triangle — Guatemala, El Salvador, and Honduras — the most violent place in the world that is not at war. In October 2012, the US Department of the Treasury labeled the group a “transnational criminal organization,” the first such designation for a US street gang, but their criminal proceeds do not even approach those of their counterparts on that list. Photograph and Information Obtained from INSIGHT CRIME.
A provocative and original investigation of our cultural fascination with crime, linking four archetypes—Detective, Victim, Defender, Killer—to four true stories about women driven by obsession.
In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a frustrated heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own.
Each woman, Monroe argues, represents and identifies with a particular archetype that provides an entryway into true crime. Through these four cases, she traces the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. In a combination of personal narrative, reportage, and a sociological examination of violence and media in the twentieth and twenty-first century, Savage Appetites scrupulously explores empathy, justice, and the persistent appeal of violence.
MY REVIEW:
Rachel Monroe is a woman after my own heart. As she described her visit to the premiere True Crime Conference called CrimeCon in 2018, I was green with envy. Living outside the city of Toronto, Ontario in Canada, there was just no feasible way for me to attend such an event, especially since it takes place quite a distance from my home.
Rachel Monroe has taken it upon herself to dig into the “why” of the appeal of True Crime to women and to explore the possible reasons.
Any female of my generation (I am 47) who are interested in this subject probably grew up reading Nancy Drew and maybe even The Hardy Boys. Rachel states that: “This detective impulse first burbled up in [her] early, say around age eight.” Reading these words, I wanted to shout out loud, “Me too!”
The book focuses on four very different women, from different times, but, who all had an interest in crime and murder. Their reasons are as varied as possible, yet they are all tied together by the singular theme of True Crime.
I couldn’t believe I had never heard of France’s Glessner Lee. Sure, she was a child of the 1890s, and grew up “… Living in a mansion on Chicago’s ‘Millionaire’s Row.” But still, she was a role model for other women in adulthood and smashed through gender barriers that would have seemed impenetrable to other women of her time. I am impressed and glad that I now know about her. Thank you Rachel Monroe!
The author talks about the Manson murders which have been excessively covered, and yet the way she presents this crime is less about Manson, and more about how the crime changed so many things and so many people.
She speaks about the murder of Taylor Behl in 2005 which happened in her town. Rachel says “Part of what I was looking for, I realized, was overlap, all the ways she and I were similar. There was a troubling pleasure in thinking about how I could have been her, or she could have been me… It felt good, in a bad way, to think about my own proximity to violence. To imagine my life as a near miss.”
Rachel also addresses a phenomenon that has always perplexed me – that of women who “date” and/or marry men serving life sentences in prison. This section is a must read.
I even learned a new word:
HYBRISTOPHOLIA – the attraction to someone who has committed murder.
I never knew there was a word for it, but, in this day and age, I should not have been surprised.
All in all, Author Rachel Monroe has gone deep down many rabbit holes in her research for this book. She extensively studied so many factors that it is amazing she was able to whittle them down into a cohesive and compelling whole.
I rate SAVAGE APPETITES as 4 OUT OF 5 STARS ⭐⭐⭐⭐ and because of it’s subject matter, I forsee it becoming a book that is widely read. Perhaps she will have her own following at CrimeCon 2020. . *** Thank you to NetGalley for providing me with a free copy of this book. ***
ABOUT THE AUTHOR:
Photograph by Emma Rogers
Rachel Monroe is a writer and volunteer firefighter living in Marfa, Texas.
Her work has appeared in The Best American Travel Writing 2018, The New Yorker, The Atlantic, The New York Times, The New York Times Magazine, and elsewhere.
To learn more about this author, visit the following links:
Lee, who died in 1962, called her miniatures “nutshell studies” because the job of homicide investigators, according to a phrase she had picked up from detectives, is to “convict the guilty, clear the innocent and find the truth in a nutshell.”
“She became the first female police captain in the country, and she was regarded as an expert in the field of homicide investigation,” exhibit curator Nora Atkinson says.
When Lee was building her macabre miniatures, she was a wealthy heiress and grandmother in New Hampshire who had spent decades reading medical textbooks and attending autopsies. Police departments brought her in to consult on difficult cases, and she also taught forensic science seminars at Harvard Medical School, Atkinson says. Lee painstakingly constructed the dioramas for her seminars, basing them on real-life cases but altering details to protect the victims’ privacy.
“She was very particular about exactly how dolls ought to appear to express social status and the way [the victims] died,” Atkinson says.
“If a doll has a specific discoloration, it’s scientifically accurate — she’s reproducing the effects of carbon monoxide poisoning and positioning them based on when rigor mortis took effect.”
Tiny details in the scenes matter too. For example, fibers on one doll’s wounds match those on a nearby door frame.
At the Renwick exhibit, visitors will be given magnifying glasses and flashlights to conduct their own homicide investigations, but don’t ask museum staff for help — the scenes are still used in annual training seminars, so their secrets are closely guarded.
TRY TO DEDUCE WHAT HAPPENED IN THE 11 ITEMS POINTED OUT BELOW …
Frances Glessner Lee built the miniature rooms pictured here, which together make up her piece “Three-Room Dwelling,” around 1944-46.This is a puzzling case – – – – A beautiful woman lays shot to death in her bed, her clean-cut, pajama-clad husband lies next to the bed, also fatally shot. – Their baby was shot as she slept in her crib. – Blood is spattered everywhere. -All the doors are locked from the inside, meaning the case is likely a double homicide/suicide. – But something isn’t right. The murder weapon is nowhere near the doll corpses – instead the gun is in another room???
1. Lee used red nail polish to make pools and splatters of blood.
What details can you discover?
2. Lee crocheted this tiny teddy bear herself, so that future investigators might wonder how it landed in the middle of the floor.
3. The pattern on the floor of this room has faded over time, making the spent shotgun shell easier to find.
4. Lee knit this runner and sewed the toy chairs on it in this exact state of disarray.
5. The bedroom window is open. Could it be a sign of forced entry?
6. Lee would paint charms from bracelets to create some prop items. Others she bought from dollhouse manufacturers.
7. The table settings are sewn into place to indicate an orderly, prosperous family.
8. There’s one big clue in clear view in this room
9. Lee sewed the clothes worn by her figurines, selecting fabrics that signified their social status and state of mind. In some cases, she even tailor-made underwear for them.
10. The doll heads and arms were antique German porcelain doll parts that were commercially available. Lee would create the bodies herself, often with lead shot in them.
Leave your guess in the comments and I will come back and discuss it with you. In your comments post any clues or abnormalities in the scenes that you find.
A FEW MORE PICTURES OF THE “NUTSHELL” MINIATURE CRIME SCENES:
Every element of the dioramas—from the angle of miniscule bullet holes, the placement of latches on widows, the patterns of blood splatters, and the discoloration of painstakingly painted miniature corpses—challenges trainees’ powers of observation and deduction. The Nutshells are so effective that they are still used in training seminars today at the Office of the Chief Medical Examiner in Baltimore.
Showcasing the Nutshells at the Renwick allows visitors to appreciate them as works of art and material culture in addition to understanding their importance as forensic tools, and to see Lee’s genius for telling complex stories through the expressive potential of simple materials. While the Nutshells represent composites of real and extremely challenging cases featuring homicides, suicides, and accidental deaths, Lee imagined and designed each setting herself. She was both exacting and highly creative in her pursuit of detail—knitting tiny stocking by hand with straight pins, hand-rolling tiny tobacco-filled cigarettes and burning the ends, writing tiny letters with a single-hair paintbrush, and creating working locks for windows and doors.
The exhibition also highlights the subtly subversive quality of Lee’s work, especially the way her dioramas challenge the association of femininity with domestic bliss and upend the expected uses for miniature making, sewing, an other crafts considered to be “women’s work.” Also evident is her purposeful focus on society’s “invisible victims,” whose cases she championed. Lee was devoted to the search for truth and justice for everyone, and she often featured victims such as women, the poor, and and people living on the fringes of society, whose cases might be overlooked or tainted with prejudice on the part of the investigator. She wanted trainees to recognize and overcome any unconscious biases and to treat each case with rigor, regardless of the victim.
As the Nutshells are still active training tools, the solutions to each remain secret. However, the crime scene “reports” (written by Lee to accompany each case) given to forensic trainees are presented alongside each diorama to encourage visitors to approach the Nutshells the way an investigator would.
Nutshell “Kitchen” Picture # 1Nutshell “Kitchen” Picture # 2 Even the curtains perfectly match the original crime scene Nutshell “Kitchen” Picture # 3 The tiny rolling pin, the clock on the window sill and even miniature tea towels hang in this precise representation of the original scene
Dioramas or “Nutshells” as the creator of them referred to them, photographs were obtained from the website of the Smithsonian American Art Museum
Taylor Behl was a 17-year-old freshman at Virginia Commonwealth University in Richmond, left her dormitory room Sept. 5, 2005 to give her roommate some privacy with her boyfriend. She took with her a cell phone, some cash, a student ID and her car keys. She was never seen alive again.
To learn more about the murder of Taylor Behl, click HERE.
Thank you to everyone who entered my Giveaway to win an autographed copy of FROM THE ASHES by JESSE THISTLE.
ABOUT THE BOOK:
#1 National Bestseller Finalist, CBC Canada Reads A Globe and Mail Book of the Year An Indigo Book of the Year A CBC Best Canadian Nonfiction Book of the Year
In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is.
If I can just make it to the next minute…then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.
From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.
Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, whose tough-love attitudes quickly resulted in conflicts. Throughout it all, the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling with all that had happened, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. Finally, he realized he would die unless he turned his life around.
In this heartwarming and heart-wrenching memoir, Jesse Thistle writes honestly and fearlessly about his painful past, the abuse he endured, and how he uncovered the truth about his parents. Through sheer perseverance and education—and newfound love—he found his way back into the circle of his Indigenous culture and family.
An eloquent exploration of the impact of prejudice and racism, From the Ashes is, in the end, about how love and support can help us find happiness despite the odds.
The Winner is…
KAY BURKE
I have emailed the winner. Again, thank you to everyone who entered.
Keep watching my blog for more Giveaways coming soon.
The Dragons, the Giant, the Women by Wayétu Moore, left, All Boys Aren’t Blue by George M. Johnson and Fairest by Meredith Talusan (Photo credit: Graywolf Press, Farrar, Straus and Giroux, and Viking)
I love a good memoir. Though the ever-expanding genre has been criticized over the decades by people who view them as egotistical and insular, memoirs can be transformative.
Tapping into a person’s unique experience and seeing the world through their eyes for a few hundred pages can expand our individual worldview, help us better understand our own experiences with broader issues—including grief—and introduce us to powerful voices who articulate and excavate their lives in ways that so few of us can.
Among the many memoirs slated for release in 2020, these 17 represent the very best of the genre.
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By: Adrienne Miller{ Ecco }RELEASED: FEB. 11, 2020 $28.99 PreOrder It Now
If you love fascinating memoirs about women navigating male-dominated industries, then Adrienne Miller’s book should already be in your cart. Miller began her career in media as an editorial assistant at GQ magazine in the 1990s before becoming the first woman to serve as Esquire’s literary editor. Given that media is still an industry run by men—many of them white, many of them powerful, and way too many of them drunk on their own power—Miller’s 30 years’ worth of reflections show, alas, just how much hasn’t changed for women finding their footing in an industry that allows only a few of us to break through.
Stephanie Land, author of the bestselling 2019 memoir Maid, says that Strung Out “will change how we look at the opioid crisis and how the media talks about it.” I agree.
Often, media stigmatizes the very people it aims to cover because there’s still so much we don’t understand about the development and impact of addiction. Erin Khar’s gift of a memoir examines her 15-year journey as a heroin user—and, perhaps more important, what brought her to drugs. Addiction stories are often linear (got hooked, hit bottom, got clean), but Khar instead offers a humanizing portrait not just of her own experience but of an issue that impacts more than two million people in the United States.
{Penguin Random House }RELEASED: MARCH 10, 2019 $26.00 Buy It Now
Prolific essayist Rebecca Solnit has long written about pop culture, politics, and mansplaining by weaving together her personal experience with a broader analysis, but it seems that Recollections of My Nonexistence is her first full-on memoir. Solnit brings readers to 1980s San Francisco for a comprehensive look at how she found her voice and her feminism amid discovering punk rock, witnessing rampant gender-based violence, and negotiating a culture of disbelief about everything from street harassment to rape. Recollections of My Nonexistence is also a memoir about writing, which is a gift from a writer as talented and transformative as Solnit. What shaped her perspective? How did she find the confidence to write with such stark honesty? These questions and more are answered.
{Belt Publishing }RELEASED: MARCH 10, 2020 $26.00 Buy It Now
Raechel Anne Jolie (who has contributed to Bitch) grew up in Cleveland, Ohio, in the 1990s, finding herself amid an alternative subculture of “race cars, Budweiser drinking men covered in car grease, and the women who loved them.” After her father is killed by a drunk driver, Jolie and her mother struggled to stay afloat: facing eviction, going days with electricity and water, and hurting each other to escape the pain of financial uncertainty. Rust Belt Femme follows Jolie as she leaves the neighborhood she called home for Cleveland Heights where a subculture with a lot of personality welcomes her, helping to define who she is and where she’s headed next.
By: Tanya Selvaratnam {Henry Holt and Co. }RELEASED: APRIL 7, 2020 $27.99 Buy It Now
According to the National Coalition Against Domestic Violence, nearly 20 people per minute in the United States are physically abused by their romantic partner, which breaks down to more than 10 million people suffering abuse in the course of a single year. It never becomes easier to read about intimate-partner violence, but it’s always necessary. Tanya Selvaratnam’s heart-wrenching memoir explores her volatile relationship with former New York State Attorney General Eric Schneiderman, which included controlling behavior, death threats, and violent sex that she felt powerless to stop given that her partner was the state’s top-ranking law officer.
Assume Nothing isn’t an easy read, but it’s an important window on how power insulates even the worst among us.
Crystal Rasmussen, born as Tom, never knew a life before drag queendom. Even as they grew up in northern England, Rasmussen knew they weren’t meant to blend in—standing out was a given. By the time Rasmussen leaves London for a fashion job in New York, they’d come into their own, and this hilarious memoir follows them through a year of adventures, from being onstage to being in bed to realizing the fashion world is even more cutthroat than pop culture portrays it. Diary of a Drag Queen is equal parts inspiring and funny as hell.
By: Marisa Meltzer {Little, Brown and Company}RELEASED: APRIL 14, 2020 $28.00 Buy It Now
According to the Boston Medical Center, an estimated 45 million adults in the United States embark on a diet every year, and for an increasing number of adults, an obsession with losing weight begins in childhood. Marisa Meltzer, a contributor to the New York Times and the New Yorker (who has contributed to Bitch), began her first diet at the age of 5, and since then has been on the familiar rollercoaster of losing and gaining weight. When Meltzer read the obituary of Jean Nidetch, the Queens housewife–turned–flamboyant founder of Weight Watchers, she realized how much her own journey ran parallel to that of the woman whose business became an emblem of our culture’s quest for thinness at any cost. This Is Big is an inventive memoir that examines Meltzer’s own experience with weight loss alongside Nidetch’s lucrative belief that community, not secretive shame, could transform people’s bodies and lives.
{Dey Street Books}RELEASED: APRIL 21, 2020 $27.99 Buy It Now
There comes a moment in many people’s lives when they realize that their parents or other guardian figures have lives, dreams, hopes, and goals outside of raising them and/or being a spouse. Comedian Sopan Deb’s revelation came as he approached his 30th birthday: He knew the basics about his parents, who’d immigrated, separately, from India to the United States in the 1960s and ’70s. He knew their marriage was arranged, and that his father returned to India several years into their marriage, leaving his children and his wife in suburban New Jersey, but he didn’t know much else. After the 2016 election, which found Deb juggling stand-up comedy and covering the Trump campaign for the New York Times, he decided to journey to India to reconnect with his father and in the process reconnect with himself.
Farrar, Straus and Giroux }RELEASED: APRIL 28, 2020 $17.99 Buy It Now
Award-winning journalist and activist George M. Johnson is one of my favorite people to follow on social media. His insights about everything from representation in pop culture to sexuality and health keep myself and many others engaged, and he brings that same level of introspection to his powerful memoir-manifesto. Johnson’s book is geared toward young adults—a market that needs this level of realness about everything from finding and harboring joy to bullying to navigating queerness. All Boys Aren’t Blue is a game changer.
When Nina Renata Aron began dating her boyfriend, K, it didn’t take long for him to relapse. Addiction is a disease; it can come upon those who are afflicted without warning and the effects are felt by the person addicted as well as those who love them. Good Morning, Destroyer of Men’s Souls explores how addiction transforms K, transforms their relationship, and transforms Aron’s relationship to herself and to her childhood. It’s difficult to tell someone else’s story of addiction with empathy and understanding, but Aron balances it all beautifully.
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I first learned about journalist and author Meredith Talusan in 2016 when she spearheaded Unerased, Mic’s award-winning multimedia project that chronicled the crisis of transgender women in the United States being murdered. Talusan has since been an integral part of them’s inaugural editorial team, where she still works as a contributing editor, and has been one of the strongest voices holding newsrooms accountable when they offer lip service to inclusivity but do not actually prioritize it. In Fairest, Talusan brings that same determination and brilliance to her own story, with recollections of immigrating to the United States, unlearning the gender binary, and, most important, coming into her own.
In Open Country By: Rahawa Haile {Harper}RELEASED: JUNE 2, 2020
On October 3, 2016, Rahawa Haile announced on Twitter that she’d successfully hiked the Appalachian Trail from Georgia to Maine with a photo that captured the triumph. Since then, she’s published a canonical piece in Outside that detailed her experience and an incredible essay in BuzzFeed about leaving books by Black authors for other hikers to discover. Her upcoming memoir considers “what it means to move through America and the world as a Black woman.” Though there aren’t too many details on In Open Country, we know what Haile is capable of as a writer—and that alone has us thirsting to dig into this book.
Is it possible to find home again after being unexpectedly uprooted during a political upheaval? That’s one of the questions at the center of Wayétu Moore’s second book, which chronicles one of the most difficult experiences of her young life. At the age of 5, the civil war in Liberia forces Moore and her family—minus her mother, who’s studying at a university in New York—to flee the country. After a three-week journey on foot, Moore and her family are smuggled to the border of Sierra Leone and, from there, travel to the United States to reunite with her mother and begin a brand new life. The Dragons, the Giant, the Women is a beautifully written book about the experience of migrating—a story, particularly in this moment, that can never be told enough.
{Bold Type Books}RELEASED: JUNE 16, 2020 $16.99 Buy It Now
Recent years have brought us an array of memoirs and essay collections that specifically center the experiences of gay men negotiating the tenacious homophobia of the United States: Michael Arceneaux’s I Can’t Date Jesus: Love, Sex, Family, Race, and Other Reasons I’ve Put My Faith in Beyoncé, Darnell L. Moore’s No Ashes in the Fire: Coming of Age Black and Free in America, and Saeed Jones’s How We Fight for Our Lives come immediately to mind. The success of these books feels like an assurance that we’ll continue to see stories like theirs move out of the margins of the literary canon. In The Groom Will Keep His Name, Matt Ortile, managing editor of Catapult, offers up his unique experiences as a Filipino immigrant figuring out how to date in a world where we’re all encouraged to be curated versions of ourselves. The book’s clever title reflects its witty and captivating takes on everything from one-night stands to dating apps and beyond.
{Little, Brown & Company}RELEASED: JULY 14, 2020 $28.00 Buy It Now
Many of us have fragmented memories that cause us to question what’s real and what we’ve imagined. But when St. Paul’s School, an elite boarding school in Concord, New Hampshire, was deemed a “haven for sexual predators” in a May 2018 lawsuit filed by two of the school’s alumnae, Lacy Crawford realized that her hazy recollection of being assaulted at age 15 by two fellow students many years earlier—and the efforts of the school’s administration, including faculty and clergy, to shield her attackers from consequences—wasn’t something she’d invented or imagined. Once St. Paul’s extensive history of burying crimes and harming victims became national news, Crawford got access to files about her case that she’d never seen before; her experience of revisiting the trauma, realizing just how far the school had gone to protect her assaulters, and coming to terms with the cost of that injustice is the foundation for this incredible memoir.
Pulitzer Prize–winning poet Natasha Trethewey has long said that her mother’s 1985 murder at the hands of her ex-husband propelled her into the art form and has continued to haunt her even as she’s found extraordinary success that includes being named U.S. Poet Laureate in 2012 and 2013. Trethewey told the Chicago Tribune in November 2018 that she thinks of herself as “someone who has lived in a state of bereavement my whole adult life,” and in Memorial Drive, she explores the loss and lingering grief that has shaped so much of her work. Trethewey’s heartbreakingly beautiful memoir honors her mother, Gwendolyn, while also indicting a culture that fails to protect abuse victims as they try to retrieve their lives from the clutches of their abusers.
{Flatiron Books}RELEASED: AUGUST 4, 2020 $26.99 Buy It Now
Since the #MeToo movement spotlighted predators in Hollywood, journalism, and beyond, a number of memoirs have taken stock of how power dynamics can shape—and exploit— an array of relationships, including platonic ones between teachers and students (Donna Freitas’s Consent: A Memoir of Unwanted Attention) and those where the boundaries of friendship are betrayed by rape (Jeannie Vanasco’s Things We Didn’t Talk About When I Was a Girl). Allison Wood, winner of the inaugural Breakout 8 Writers Prize and a creative writing teacher at New York University, adds to this growing canon with a chronicle of her two-year relationship with her high-school English teacher.
There’s more…
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From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you’ve ever heard.
Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.
A girl grows up in Nunavut in the 1970s. She knows joy and friendship and parents’ love. She knows boredom and listlessness and bullying. She knows the tedium of the everyday world and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol and violence at the hands of those she should be able to trust. She sees the spirits that surround her and the immense power that dwarfs all of us.
When she becomes pregnant, she must navigate all this.
Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.
Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine listeners will never forget. . . ….. https://player.vimeo.com/video/348888772 ………
MY REVIEW:
**TRIGGER WARNING ** This book contains descriptions of child sexual abuse. If this topic is a trigger for you, I suggest you give this book a pass. ***************************
I purchased a copy of this audiobook from Audible and now that I have finished listening to it, I believe audio is the best way to experience SPLIT TOOTH.
I feel so privileged to have listened to author Tanya Tagaq read her book aloud. Traditionally, the Inuit people passed down their stories and traditions in exactly this manner. Oral storytelling was the norm.
Not only does the author read this book with emotion and depth of experience, she also includes quite a bit of Throat Singing which is incredible to listen to. The sounds are somehow both ethereal and haunting and despite the lack of lyrics, or maybe because of it, the meanings behind the sounds are quite clear.
Poignant. Visceral. Heart-breaking and real. Tanya Tagaq manages to convey her story in such a unique fashion that it is impossible to ever forget. Despite the heaviness of some of the subject matter, there are many moments of joy, happiness, peace, and a sense of belonging to something greater than herself.
The unfortunate details of abuse, both physical and sexual that Tanya endured as a child were perpetrated by those who should have been her protectors.
No matter what she endured, she knew that she was capable of survival.
The evils of the Canadian Residential Schools had so thoroughly erased her native language that hardly anyone in her ‘town’ knew how to speak it anymore. Not only that, but unthinkable abuses – sexual, physical, cultural and mental were forced upon Residential School “students,” (who were actually prisoners, since neither the children, nor their parents had any choice about attending.)
Make no mistake – these “schools” were an attempt at genocide of the Inuit and of all Indigenous people. There is no excuse or apology that can be adequate enough to erase the damage they caused. And, that damage has reached across the hands of time and affected many children of subsequent generations, including Tanya herself.
Don’t mistake my description to mean that Tanya Tagaq’s memoir is a litany of anger and complaint. It is anything but. Her writing is akin to reading her diary. Listening to the audiobook, I feel as though I have seen inside her very soul. If that sounds over dramatic, I apologize, it is truly the way I feel.
This audiobook is not to be missed. I am sure that just reading the book would be a terrific experience, but as I said above, audio format makes this book not just a story, but also an experience.
I am rating SPLIT TOOTH by TANYA TAGAQ as 5 OUT OF 5 STARS ⭐⭐⭐⭐⭐
Tanya also has many music albums available for purchase and after hearing some of her traditional throat singing, I will be downloading her music as well. .
. QUOTES:
Examples of the artwork Tanya Tagaq has created.
“… pain is to be expected, courage is to be welcomed. There is no choice but to endure. There is no other way than to renounce self-doubt. It is the time of the Dawning in more ways than one. The sun can rise, and so can I.” . “In the spring you smell last fall’s death and this year’s growth as the elder lichen shows the young how to grow.” . “We are product of the immense torque that propels this universe. We are not individuals but a great accumulation of all that lived before.” . . . ABOUT THE AUTHOR:
Amie's Book Reviews 