This blog is the place where I post reviews of the books I have read. I review audiobooks, regular books and eBooks for authors and publishers as well as any other book or audiobook that catches my eye.
An eye-opening firsthand account of the ongoing and trailblazing feminist movement in South Korea—one that the world should be watching.
Since the beginning of the #MeToo movement, tens of thousands of women and girls in South Korea have taken to the street, and many more brave individuals took a stand, to end a decades-long abortion ban and bring down powerful sexual abusers—including a popular presidential contender. South Korean feminists know that the revolution has been a long time coming, between battles against its own deeply patriarchal society as well as combating stereotypes of docile Asian women in the Western imagination.
Now, author Hawon Jung will show the rest of the world that these women are no delicate flowers—they are trailblazing flames.
Flowers of Fire takes the reader into the trenches of this fight for equality, following along as South Korean activists march on the streets, navigate public and private spaces full of spycams, and share tips and tricks with each other as they learn how to protect themselves from criminals and authorities alike.
Jung, the former Seoul correspondent for the AFP, draws on her on-the-ground reporting and interviews with many women who became activists and leaders, from the elite prosecutor who ignited the country’s #MeToo movement to the young women who led the war against non-consensual photography and revenge porn. Their stories, though long overlooked in the West, mirror realities that women across the world are all too familiar with: threats of defamation lawsuits to silence victims of assault, tech-based sexual abuse of women and girls, and criminal justice systems where victims’ voices are often met with suspicion and predators’ downfalls are met with sympathy. These are the issues at the heart of their #MeToo movement, and South Korean women have fought against them vigorously—and with extraordinary success. In Flowers of Fire, Jung illuminates the strength and tenacity of these women, too often sidelined in global conversations about feminism and gender equality.
The women written about in FLOWERS OF FIRE embody this quote.
Maya Angelou once said: “Develop enough courage to stand up for yourself and then stand up for somebody else.” The women whose stories are highlighted in this book are the living embodiments of that famous quote.
I don’t think any of us who were born in Canada and who have grown up with the knowledge that we are valuable and that we can be, and do anything, could possibly understand the world of misogyny that is the norm in South Korea. Yes, the patriarchy exists in North America, but not to the extent that it exists in Asian countries.
When the #MeToo movement swept through the United States and Canada, women felt empowered to stand up for themselves and to say “NO MORE.” But, what about women in other countries? What about women who, because of government censorship, had no idea what was happening around the world?
Who was brave enough to stand up and to be the very first woman to tell her story? And, what would happen to her after she came forward? The fear would have been crippling. There was a very real chance that those women would be shunned, shamed, and would be branded as sluts and liars.
I am in awe of the women in this book. They are BRAVE … truly brave in a way that transcends time. Their stories are IMPORTANT.
FLOWERS OF FIRE – The Inside Story of South Korea’s Feminist Movement And What It Means For Women’s Rights Worldwide is not only an enthralling read, but also an extremely important one.
If you think of yourself as a feminist, or even if you don’t, if you care about human rights at all, then you simply MUST Read this book.
FLOWERS OF FIRE is being released on March 7th, 2023 and can be pre-ordered now. I have a feeling that this book will sell out quickly, so I suggest that you preorder it to avoid being disappointed.
I would love to hear back from people after they read this book to discuss the details. I did not want to include any spoilers in my review, but I am dying to discuss it.
5 out of 5 Stars ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ 5 out of 5 Flames
*** Thank you to #Edelweiss for providing me with a free advance review copy of this book. ***
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More than 200 female protesters gather in central Seoul on Feb. 27, calling for women’s representation in South Korea’s presidential election. (Min Joo Kim/The Washington Post)
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ABOUT THE AUTHOR:
Hawon Jung is a journalist and former Seoul correspondent for the AFP news agency with more than a decade of experience writing about the two Koreas.
She covered the 2011 death of then-North Korean leader Kim Jong-il, the rise to power of his son, Kim Jong-un, the junior Kim’s first summit with Donald Trump, South Korea’s historic presidential impeachment, and K-pop’s rise on the world stage.
Her coverage of South Korea’s #MeToo movement was shortlisted in the 2019 Awards for Editorial Excellence by the Society of Publishers in Asia.
Born and raised in South Korea, she currently lives in Germany with family.
To learn more about this author visit the following links:
Kim Ju-hee protests in August 2021 in front of the National Assembly in Seoul with a sign that reads “Democracy without woman is not a democracy.” ( Min Joo Kim/The Washington Post)
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ABOUT THE PUBLISHER:
BenBella is a marketing-focused, author-friendly publishing house whose success is based on a few simple principles. We select our titles with care. We provide authors with first-class service and genuine partnership. And we provide aggressive, creative marketing for each title we publish.
To learn more about this Publisher visit the following links:
A modern, feminist take on the classic joke book to amuse and empower readers who are tired of being the punchline.
A man walks into a bar. It’s a low one, so he gets a promotion within his first six months on the job.
Four comedy writers transform classic joke setups into sharp commentary about the everyday and structural sexism that pervades all facets of life.
Jokes to Offend Men arms readers with humorous quips to shut down workplace underminers, condescending uncles, and dismissive doctors, or to share with their exhausted friends at the end of a long day.
A cutting, cathartic spin on the old-fashioned joke book, Jokes to Offend Men is a refreshing reclamation of a tired form for anyone who’s ever been told to “lighten up, it’s just a joke!”
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MY REVIEW:
The four women who created this book, “… wrote this book because [they] were tired of watching countless men excuse their bad behavior by insisting that the real problem is [women’s] stunning inability to ‘take a joke’.”
As someone who has spent the last 25 years working in an automotive factory building cars, I have heard hundreds, if not thousands, of sexist jokes that the men I work with (and my area is almost exclusively men) seem to think are hilarious. It is for that reason I requested an ARC (Advance Review Copy) of this audiobook.
The authors grew up in the same era that I did. During that time, the comedy circuit was mostly men and many of the jokes they told relied on “… making people with less power the butt of the joke.”
In the introduction, the comedians state that:
“We believe that comedy should empower rather than cause harm. And that there’s still a lot of ground to cover when it comes to why that chicken crossed the road.”
The book is divided into eleven sections with awesome titles. They are:
1. Jokes to Offend Men at Work Who Don’t Actually Do Their Own Work
2. Jokes To Offend Men Who Won’t Contribute to Housework Because You’re ‘Sooo Much Better at It’
3. Jokes To Offend Men You’re Expected to Spend the Holidays With, Unfortunately:
4. Jokes To Offend Men Who Are Currently Explaining Quentin Tarantino to You
5. Jokes To Offend Men Who Disrespect Mother Nature
6. Jokes To Offend Men You Definitely Didn’t Vote For
7. Jokes To Offend Men Who Think the #MeToo Movement Has Gone Too Far
8. Jokes To Offend Men Who Have A Medical Degree in Dismissing Your Pain
9. Jokes To Offend Men Whose Grandfather Founded This School
10. Jokes To Offend Men Who Refuse to Believe You’re Not Interested in The
11. Jokes To Offend Even More Men: You can keep these in your back pocket (unless it’s purely decorative).
I am in love with this book.
Snarky.
Sarcastic.
Irreverent
You could even say Bitchy, and I’m sure many men will say exactly that.
As far as I am concerned, this joke book is SHEER PERFECTION.
Every woman needs to either read this book, or listen to the audiobook. I am sure readers will be able to recognize some of the men they have had to deal with over the years. I know I definitely did.
I cannot recommend JOKES TO OFFEND MEN any higher than the highest available option.
I literally laughed out loud many times while listening to this audiobook, and I am sure you will too.
I rate this audiobook as 10 out of 10 ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ ⭐️
5 out of 5 Stars ⭐️ ⭐️ ⭐️ ⭐️ ⭐️
*** Thank you to #NetGalley for providing me with a free advance copy of this book. ***
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About the Authors:
Allison Kelley is a Brooklyn-based humor writer and essayist with work featured in The New Yorker, The Washington Post, Slate, McSweeney’s and more. Since childhood, she’s been using comedy to cope with the terror and wonder of being a woman in the world. An alleged grown-up, Allison writes frequently on the topics of ‘90s pop culture, teen angst and growing up in the suburbs.
Danielle Kraese is a writer, editor, and occasional performer based in the spidery suburbs of New York. Her humor writing has been published by The New Yorker, McSweeney’s, Reductress, The Belladonna Comedy, and more. She’s an editor at BDG, where she writes and edits affiliate content across sites like Bustle, Elite Daily, Romper, Mic, and Inverse (she can tell you everything you never wanted to know about socks, sheets, and meat thermometers).
Kate Herzlin is a New York-based screenwriter, playwright, and humor writer who overuses the rule of three. Her humor writing has been featured in McSweeney’s, Points in Case, The Belladonna Comedy, and more. Kate is a writer for the BoogieManja Sketch Comedy team, Evil Twin—though she promises she isn’t one. As a childhood cancer survivor, she learned to use comedy to cope; now that she’s all grown up, she hopes her jokes might help other people do the same.
Ysabel Yates is a comedy writer and freelance copywriter in New York City. You can find her work in publications including the New Yorker, the New York Times, McSweeney’s, and Reductress.
An eye-opening firsthand account of the ongoing and trailblazing feminist movement in South Korea—one that the world should be watching.
Since the beginning of the #MeToo movement, tens of thousands of women and girls in South Korea have taken to the street, and many more brave individuals took a stand, to end a decades-long abortion ban and bring down powerful sexual abusers—including a popular presidential contender. South Korean feminists know that the revolution has been a long time coming, between battles against its own deeply patriarchal society as well as combating stereotypes of docile Asian women in the Western imagination.
Now, author Hawon Jung will show the rest of the world that these women are no delicate flowers—they are trailblazing flames.
Flowers of Fire takes the reader into the trenches of this fight for equality, following along as South Korean activists march on the streets, navigate public and private spaces full of spycams, and share tips and tricks with each other as they learn how to protect themselves from criminals and authorities alike.
Jung, the former Seoul correspondent for the AFP, draws on her on-the-ground reporting and interviews with many women who became activists and leaders, from the elite prosecutor who ignited the country’s #MeToo movement to the young women who led the war against non-consensual photography and revenge porn. Their stories, though long overlooked in the West, mirror realities that women across the world are all too familiar with: threats of defamation lawsuits to silence victims of assault, tech-based sexual abuse of women and girls, and criminal justice systems where victims’ voices are often met with suspicion and predators’ downfalls are met with sympathy. These are the issues at the heart of their #MeToo movement, and South Korean women have fought against them vigorously—and with extraordinary success. In Flowers of Fire, Jung illuminates the strength and tenacity of these women, too often sidelined in global conversations about feminism and gender equality.
The women written about in FLOWERS OF FIRE embody this quote.
Maya Angelou once said: “Develop enough courage to stand up for yourself and then stand up for somebody else.” The women whose stories are highlighted in this book are the living embodiments of that famous quote.
I don’t think any of us who were born in Canada and who have grown up with the knowledge that we are valuable and that we can be, and do anything, could possibly understand the world of misogyny that is the norm in South Korea. Yes, the patriarchy exists in North America, but not to the extent that it exists in Asian countries.
When the #MeToo movement swept through the United States and Canada, women felt empowered to stand up for themselves and to say “NO MORE.” But, what about women in other countries? What about women who, because of government censorship, had no idea what was happening around the world?
Who was brave enough to stand up and to be the very first woman to tell her story? And, what would happen to her after she came forward? The fear would have been crippling. There was a very real chance that those women would be shunned, shamed, and would be branded as sluts and liars.
I am in awe of the women in this book. They are BRAVE … truly brave in a way that transcends time. Their stories are IMPORTANT.
FLOWERS OF FIRE – The Inside Story of South Korea’s Feminist Movement And What It Means For Women’s Rights Worldwide is not only an enthralling read, but also an extremely important one.
If you think of yourself as a feminist, or even if you don’t, if you care about human rights at all, then you simply MUST Read this book.
FLOWERS OF FIRE is being released on March 7th, 2023 and can be pre-ordered now. I have a feeling that this book will sell out quickly, so I suggest that you preorder it to avoid being disappointed.
I would love to hear back from people after they read this book to discuss the details. I did not want to include any spoilers in my review, but I am dying to discuss it.
5 out of 5 Stars ⭐️ ⭐️ ⭐️ ⭐️ ⭐️ 5 out of 5 Flames
*** Thank you to #Edelweiss for providing me with a free advance review copy of this book. ***
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More than 200 female protesters gather in central Seoul on Feb. 27, calling for women’s representation in South Korea’s presidential election. (Min Joo Kim/The Washington Post)
****************************
ABOUT THE AUTHOR:
Hawon Jung is a journalist and former Seoul correspondent for the AFP news agency with more than a decade of experience writing about the two Koreas.
She covered the 2011 death of then-North Korean leader Kim Jong-il, the rise to power of his son, Kim Jong-un, the junior Kim’s first summit with Donald Trump, South Korea’s historic presidential impeachment, and K-pop’s rise on the world stage.
Her coverage of South Korea’s #MeToo movement was shortlisted in the 2019 Awards for Editorial Excellence by the Society of Publishers in Asia.
Born and raised in South Korea, she currently lives in Germany with family.
To learn more about this author visit the following links:
Kim Ju-hee protests in August 2021 in front of the National Assembly in Seoul with a sign that reads “Democracy without woman is not a democracy.” ( Min Joo Kim/The Washington Post)
****************************
ABOUT THE PUBLISHER:
BenBella is a marketing-focused, author-friendly publishing house whose success is based on a few simple principles. We select our titles with care. We provide authors with first-class service and genuine partnership. And we provide aggressive, creative marketing for each title we publish.
To learn more about this Publisher visit the following links:
Mount McKinley in Alaska – the name was changed and it is now called Mount Denali – Notice the digging bear on the left side of the photo Photographer Daniel Leifheit
DESCRIPTION:
1968, a seventeen-year-old queer girl traveled to Alaska disguised as a boy.
Tracy should have been a boy. Even her older brother Spencer says so, though he wouldn’t finish the thought with, “And I should have been a girl.”
Though both feel awkward in their own skin, they have to face who they are—queers in the late 60s.
When both are caught with gay partners, their lives and futures are endangered by their homophobic father as their mother struggles to defend them.
While the Vietnam War threatens to take Spencer away, Tracy and her father wage a war of their own, each trying to save the sweet, talented pianist.
At seventeen, Tracy dresses as a boy and leaves her parents in turmoil, with only the slimmest hope of finding peace within herself. She journeys to a girl with a guitar, calling to her from a photo, “Come to Alaska. We’d be great friends.”
Maybe even The MoonStone Girls.
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MY REVIEW:
My first thought after reading THE MOONSTONE GIRLS is that it must be somewhat autobiographical. Author Brooke Skipstone has written with such depth of emotion that it is difficult to believe the story is fictional.
Before I get too far into my review I wanted to be sure to mention just how gorgeous the cover of this book is. It is the perfect blend of colors to bring the 1960s to mind. And, the choice to just use silhouettes is 100% inspired. 5 Stars for the cover. ⭐⭐⭐⭐⭐
I love that this #book is set in the late #1960s – an era much different than today’s world. So much was different at that time for anyone who was gay, and as hard as it is to fathom, being gay was considered to be against the laws of both God and men. This just highlights how far LBGTQ rights have come (even though society still has a ways to go.)
I cannot fathom the fear and pain experienced by LGBTQ youth at that time in history, especially for men whose arousal is much harder to hide. In the book, both Tracy and her brother Spencer are queer. The good thing is that they have each other to lean on and they have a mother who loves them just the way they are. This is much more than most #queer #youth had in their lives during that period in #history
This book delves into not just LGBTQ history, but also into the #draft and the #VietnamWar #WomensRights #RockAndRoll and the #SexualRevolution
There are some extremely #emotional scenes in The Moonstone Girls and at one point during reading I was literally in tears. It takes a truly talented #writer to be able to evoke so much #empathy and #emotion in their readers. Kudos to Brooke Skipstone for writing such an important and believable book.
Ultimately, this is a tale about hope and about having the courage to fight back in the best way you can against those who would try to stop you from living life on your own terms. It will encourage readers to never settle for second best and to keep trying until they find a place where they belong and where they can live a life of hope and honesty. It also reminds us that there is a person out there for everyone and that everyone has the right to live a happy life on their own terms.
Tracy is a fiery, take-no-prisoners type of young woman. This is the face she shows to the world, but inside, she is suffering and full of shame. This reminds readers that the persona people present to the world is not always accurate and that everyone has an inner world that is invisible. Never judge a book by its cover is a great lesson and one that we often forget.
Although not specifically stated, I get the feeling that the author also wants readers to think about mental health and to realize the depths of despair that people can feel when forced to live a lie just to be “normal.”
All in all I have to say that this book should be on everyone’s Must Read list for 2022 and although it is labeled as Young Adult fiction, this book will appeal to readers of all ages.
I am rating THE MOONSTONE GIRLS by Brooke Skipstone as 5 out of 5 Stars ⭐ ⭐ ⭐ ⭐ ⭐ and I highly recommend this book … just make sure you have a box of tissues nearby when you read it.
*** Thank you to #NetGalley for providing me with a free copy of this book. ***
Brooke Skipstone lives in Alaska, where she watches the mountains change colors with the seasons from her balcony.
Where she feels the constant rush toward winter as the sunlight wanes for six months of the year, seven minutes each day, bringing crushing cold that lingers even as the sun climbs again.
Where the burst of life during summer is urgent under twenty-four-hour daylight, lush and decadent. Where fish swim hundreds of miles up rivers past bear claws and nets and wheels and lines of rubber-clad combat fishers, arriving humped and ragged, dying as they spawn.
Where danger from the land and its animals exhilarates the senses, forcing her to appreciate the difference between life and death. Where the edge between is sometimes too alluring.
To learn more about this author visit the following links:
Mount McKinley in Alaska – the name was changed and it is now called Mount Denali – Notice the digging bear on the left side of the photo Photographer Daniel Leifheit
DESCRIPTION:
1968, a seventeen-year-old queer girl traveled to Alaska disguised as a boy.
Tracy should have been a boy. Even her older brother Spencer says so, though he wouldn’t finish the thought with, “And I should have been a girl.”
Though both feel awkward in their own skin, they have to face who they are—queers in the late 60s.
When both are caught with gay partners, their lives and futures are endangered by their homophobic father as their mother struggles to defend them.
While the Vietnam War threatens to take Spencer away, Tracy and her father wage a war of their own, each trying to save the sweet, talented pianist.
At seventeen, Tracy dresses as a boy and leaves her parents in turmoil, with only the slimmest hope of finding peace within herself. She journeys to a girl with a guitar, calling to her from a photo, “Come to Alaska. We’d be great friends.”
Maybe even The MoonStone Girls.
**********************************************
MY REVIEW:
My first thought after reading THE MOONSTONE GIRLS is that it must be somewhat autobiographical. Author Brooke Skipstone has written with such depth of emotion that it is difficult to believe the story is fictional.
Before I get too far into my review I wanted to be sure to mention just how gorgeous the cover of this book is. It is the perfect blend of colors to bring the 1960s to mind. And, the choice to just use silhouettes is 100% inspired. 5 Stars for the cover. ⭐⭐⭐⭐⭐
I love that this #book is set in the late #1960s – an era much different than today’s world. So much was different at that time for anyone who was gay, and as hard as it is to fathom, being gay was considered to be against the laws of both God and men. This just highlights how far LBGTQ rights have come (even though society still has a ways to go.)
I cannot fathom the fear and pain experienced by LGBTQ youth at that time in history, especially for men whose arousal is much harder to hide. In the book, both Tracy and her brother Spencer are queer. The good thing is that they have each other to lean on and they have a mother who loves them just the way they are. This is much more than most #queer #youth had in their lives during that period in #history
This book delves into not just LGBTQ history, but also into the #draft and the #VietnamWar #WomensRights #RockAndRoll and the #SexualRevolution
There are some extremely #emotional scenes in The Moonstone Girls and at one point during reading I was literally in tears. It takes a truly talented #writer to be able to evoke so much #empathy and #emotion in their readers. Kudos to Brooke Skipstone for writing such an important and believable book.
Ultimately, this is a tale about hope and about having the courage to fight back in the best way you can against those who would try to stop you from living life on your own terms. It will encourage readers to never settle for second best and to keep trying until they find a place where they belong and where they can live a life of hope and honesty. It also reminds us that there is a person out there for everyone and that everyone has the right to live a happy life on their own terms.
Tracy is a fiery, take-no-prisoners type of young woman. This is the face she shows to the world, but inside, she is suffering and full of shame. This reminds readers that the persona people present to the world is not always accurate and that everyone has an inner world that is invisible. Never judge a book by its cover is a great lesson and one that we often forget.
Although not specifically stated, I get the feeling that the author also wants readers to think about mental health and to realize the depths of despair that people can feel when forced to live a lie just to be “normal.”
All in all I have to say that this book should be on everyone’s Must Read list for 2022 and although it is labeled as Young Adult fiction, this book will appeal to readers of all ages.
I am rating THE MOONSTONE GIRLS by Brooke Skipstone as 5 out of 5 Stars ⭐ ⭐ ⭐ ⭐ ⭐ and I highly recommend this book … just make sure you have a box of tissues nearby when you read it.
*** Thank you to #NetGalley for providing me with a free copy of this book. ***
Brooke Skipstone lives in Alaska, where she watches the mountains change colors with the seasons from her balcony.
Where she feels the constant rush toward winter as the sunlight wanes for six months of the year, seven minutes each day, bringing crushing cold that lingers even as the sun climbs again.
Where the burst of life during summer is urgent under twenty-four-hour daylight, lush and decadent. Where fish swim hundreds of miles up rivers past bear claws and nets and wheels and lines of rubber-clad combat fishers, arriving humped and ragged, dying as they spawn.
Where danger from the land and its animals exhilarates the senses, forcing her to appreciate the difference between life and death. Where the edge between is sometimes too alluring.
To learn more about this author visit the following links:
1901. When a train robbery destroy’s Annie’s plans for a quiet life, she reinvents herself as a redheaded daredevil and heads to Niagara Falls, determined to be the first person to survive going over it in a barrel – or to die trying.
But when Annie arrives in Niagara, she unwittingly walks into a turf war between two crime bosses vying to control the illegal gambling, extortion and prostitution that hum below Niagara’s honeymoon veneer.
As Annie comes to realize that water is not the only danger in Niagara, her relationship with a riverman threatens her plans to fall.
Based on the true story of Annie Edson Taylor
MY REVIEW:
Annie Edson Taylor. Does this name mean anything to you? Have you ever heard of her?
I hadn’t. But after reading ‘TIL NIAGARA FALLS, I can guarantee that I will never remember her from this day forward.
I live in Ontario, Canada and have visited the city of Niagara Falls more than fifty times over the years. Yet, somehow the fascinating tale of retired schoolteacher Annie Edson Taylor had never reached my ears. It makes me wonder if Annie had been a man, would I have heard the story? Sadly, I believe the answer to that question is a yes.
Although this is a fictionalized version of her story, the key facts are historically accurate.
Annie was unique. She was not the “typical” woman of her era. Firstly, she was educated in many subjects including mathematics and the sciences which were often seen as the realm of men. She was a retired schoolteacher with a keen mind and she exceptionally good at physics and engineering.
Annie was as unlike the daredevils who preceded her in attempting to survive going over the Falls in a barrel, as night is to day. She applied everything she had learned into figuring out a way she could (hopefully) survive the “Fall.”
The author has included many wonderfully colorful characters into the story, many of whom were based on real people.
This story has everything readers could possibly hope for in a work of historical fiction right down to historically accurate descriptions of outfits of the era and the attitudes as to what was “proper” at the time.
If you have ever been to Niagara Falls, or have even just seen the Falls in photographs, I highly doubt any one of us would ever consider going over that massive waterfall, even with the best safety gear available. To think of the complete lack of availability of safety equipment in 1901, it is little wonder that many people perished in that swirling maelstrom of water. Annie was one very brave and very determined woman and I salute her.
Cave of the Winds To get super close to the Falls—and to feel their power—a must-do attraction is Cave of the Winds. You walk down wooden stairs to stand directly in front of Bridal Veil Falls. Then you walk up to the Hurricane Deck, where you are literally standing underneath the thundering waterfall. It’s a great way to get a sense of the power and amount of water that drops every second. It’s interesting to note that the decks are removed and rebuilt every year to prevent ice damage in the winter. When rebuilding the decks, the workers can work only 20 minutes at a time because the water is so frigid.
You should pick up a copy of this book at your first opportunity. It is a heart-pumping, thrill ride of a read and you will find yourself sitting on the edge of your seat thanks to the non-stop action.
I have no choice but to rate ‘TIL NIAGARA FALLS as 5 OUT OF 5 STARS ⭐⭐⭐⭐⭐ It deserves nothing less.
*** Thank you to NetGalley for providing me with a free copy of this book ***
Annie Edson Taylor, who was about 62 when she became the first, and oldest, person to survive going over Niagara Falls in a barrel. Credit: Pictorial Press Ltd/Alamy
ABOUT THE AUTHOR:
Katerie Morin is an award-winning playwright whose work has been produced in the U.S., broadcast in New Zealand, and published in China. With musician Pan Morrigan, she created the radio play Castles of Gold, which was later released as a spoken word album on Green Linnet Records, featuring performances by Frank McCourt and Roma Downey.
Katerie received her M.F.A in Playwriting from the University of Washington and her B.A. from Smith College. She lives outside of Boston with her family.
To learn more about this author, visit the following links:
Annie Taylor’s barrel with an anvil attached to the bottom so she would float through the Rapids Medium Photograph Extent 5″ x 5.75″ black & white photograph Description photograph has diagonal lines running through it Notes The intention of the anvil was to ensure that Annie would go over the Falls head up Date October 4, 1901. Collection General Photograph Collection http://www.nflibrary.ca/nfplindex/show.asp?id=90555&b=1
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The barrel and its living freight being towed to the starting-point / Annie Taylor Creator Zahner, M. H. Medium Scan from book Description Scan from book Notes Scanned from Over Niagara in a Barrel by Orrin E. Dunlap. Published by World Wide Magazine, 1902 Provenance Local History Collection Date 1901.
********** Mrs. Annie Edson Taylor ready to start above the Falls Medium Photograph Extent 3.75″ x 3″ black & white ‘ a copy from a stereo image by M. H. Zahner Publisher in the Library of Congress Washington D.C. Description negative A41475 436 Provenance Library of Congress Washington D.C. Collection Niagara Falls Heritage Foundation Collection Old Call Number NFHAP v.6 p.53 Rights Library of Congress Washington D.C. http://www.nflibrary.ca/nfplindex/show.asp?id=89292&b=1
The third floor classroom in the École Polytechnique in which the attack ended.
DESCRIPTION:
Fourteen young university students, murdered because they were women, are memorialized in this definitive account of a tragic day that forced a reckoning with violence against women in our culture.
Each of the victims of what became known as the “Montreal Massacre” are remembered, their lives cut short on December 6, 1989 when a man entered their school and systematically shot every young woman he encountered, motivated by a misogyny who’s roots go far beyond one man and one day.
Canada’s first mass femicide took place on December 6th, 1989 when an Anti-Feminist gunman named Marc Lépine rampaged through the halls and classrooms of École Polytechnique de Montréal.
This cowardly “man” separated the men from the women and opened fire, killing fourteen and wounding several others. He was not “man enough” nor “woman enough” to face up to the consequences of his actions and took his own life.
Journalist and author, JOSÉE BOILEAU has written the only book to ever examine this crime and it’s aftermath.
Not only does this book discuss the day of the Massacre, it also details the political and societal norms of the times and the specific challenges facing women in 1989.
By outlining the massacre and the changes that came about as a result, the author gives this important event the respect it is due.
The murdered women, many of whom did not specifically self-identify as “feminists,” have been honored with a Day of Remembrance that is still celebrated today – over three decades later.
In my opinion, it is about time that an accurate historical accounting of this hate crime has been written. This book needs to be incorporated into every high-school History and Civics curriculum Canada-wide. This MUST be required reading.
It is fitting that BECAUSE THEY WERE WOMEN is being released the day before November 11th, which is Remembrance Day here in Canada. Even though Remembrance Day is a day to honor the men and women who have made the ultimate sacrifice during their military service, the fourteen mass murder victims were unwitting pawns in a war they were unaware they were involved in. WE MUST REMEMBER THESE WOMEN.
In 1905, George Santayana, a philosopher, essayist, poet and novelist said, “Those who cannot remember the past are condemned to repeat it.”
We CANNOT allow these women to be forgotten. With the writing of this book, Josée Boileau has ensured that their memories will live on.
I rate BECAUSE THEY WERE WOMEN as 5 OUT OF 5 STARS ⭐⭐⭐⭐⭐ and I highly recommend this book to every single Canadian, male and female. I will be recommending this book to everyone I know.
With the 31st Anniversary of the shooting rapidly approaching, I will definitely be giving copies of this book to all of my local women’s shelters for their libraries.
*** Thank you to NetGalley for providing me with a free copy of this book. ***
THE VICTIMS:
Lépine killed fourteen women (twelve engineering students, one nursing student, and one employee of the university) and injured fourteen others, ten women and four men.
Geneviève Bergeron (born 1968), civil engineering student
Hélène Colgan (born 1966), mechanical engineering student
Nathalie Croteau (born 1966), mechanical engineering student
Barbara Daigneault (born 1967), mechanical engineering student
Anne-Marie Edward (born 1968), chemical engineering student
Maud Haviernick (born 1960), materials engineering student
Maryse Laganière (born 1964), budget clerk in the École Polytechnique’s finance department
Maryse Leclair (born 1966), materials engineering student
Anne-Marie Lemay (born 1967), mechanical engineering student
Sonia Pelletier (born 1961), mechanical engineering student
Michèle Richard (born 1968), materials engineering student
Annie St-Arneault (born 1966), mechanical engineering student
Annie Turcotte (born 1969), materials engineering student
Barbara Klucznik-Widajewicz (born 1958), nursing student
The Quebec and Montreal governments declared three days of mourning. A joint funeral for nine of the women was held at Notre-Dame Basilica on December 11, 1989, and was attended by Governor General Jeanne Sauvé, Prime Minister Brian Mulroney, Quebec premier Robert Bourassa, and Montreal mayor Jean Doré, along with thousands of other mourners.
THE SURVIVORS:
Brought together by tragedy: From left, Jocelyne Dallaire Légaré, Heidi Rathjen, Nathalie Provost and Michèle Thibodeau-DeGuire have developed a close bond since the 1989 massacre. The four of them are shown above at the École Polytechnique in 2014. PHOTO BY DARIO AYALA /Montreal Gazette CLICK ON THE PHOTO TO LEARN MORE ABOUT EACH OF THESE OUTSTANDING WOMEN AND HOW SURVIVING THE MONTREAL MASSACRE CHANGED THE TRAJECTORY OF THEIR LIVES.
Who was that gutsy young woman who stood up to a cold-eyed killer?
Twenty-five years after surviving the Polytechnique massacre, Nathalie Provost mused about her younger self.
On Dec. 6, 1989, moments before Marc Lépine began a shooting rampage that killed 14 women at Quebec’s largest engineering school, Provost, then a 23-year-old mechanical engineering student, tried to reason with the gunman.
Lépine’s response was a hail of bullets that killed six of her classmates and wounded Provost in the head and leg.
“There’s a lot of tenderness for the young woman I was then, for her naïveté,” said Provost, now a 48-year-old mother of four who works as a senior manager for the provincial government.
“The wounds to your body, you see right away. For the wounds to your soul, it takes longer. You don’t understand them right away. It took me years to grasp what I had lived through.” — Nathalie Provost
Marker of Change, memorial consisting of 14 coffin-like benches in Vancouver by artist Beth Alber.
On the 25th anniversary, fourteen light beams representing the 14 victims shine from Mount Royal.
A play about the shootings by Adam Kelly called “The Anorak” was named as one of the best plays of 2004 by the Montreal Gazette.
Colleen Murphy’s play “December Man” was first staged in Calgary in 2007.
The movie Polytechnique, directed by Denis Villeneuve was released in 2009, and sparked controversy over the desirability of reliving the tragedy in a commercial film.
Several songs have been written about the events, including “This Memory” by the folk duo the Wyrd Sisters, and “6 December 1989” by the Australian singer Judy Small.
A provocative and original investigation of our cultural fascination with crime, linking four archetypes—Detective, Victim, Defender, Killer—to four true stories about women driven by obsession.
In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a frustrated heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own.
Each woman, Monroe argues, represents and identifies with a particular archetype that provides an entryway into true crime. Through these four cases, she traces the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. In a combination of personal narrative, reportage, and a sociological examination of violence and media in the twentieth and twenty-first century, Savage Appetites scrupulously explores empathy, justice, and the persistent appeal of violence.
MY REVIEW:
Rachel Monroe is a woman after my own heart. As she described her visit to the premiere True Crime Conference called CrimeCon in 2018, I was green with envy. Living outside the city of Toronto, Ontario in Canada, there was just no feasible way for me to attend such an event, especially since it takes place quite a distance from my home.
Rachel Monroe has taken it upon herself to dig into the “why” of the appeal of True Crime to women and to explore the possible reasons.
Any female of my generation (I am 47) who are interested in this subject probably grew up reading Nancy Drew and maybe even The Hardy Boys. Rachel states that: “This detective impulse first burbled up in [her] early, say around age eight.” Reading these words, I wanted to shout out loud, “Me too!”
The book focuses on four very different women, from different times, but, who all had an interest in crime and murder. Their reasons are as varied as possible, yet they are all tied together by the singular theme of True Crime.
I couldn’t believe I had never heard of France’s Glessner Lee. Sure, she was a child of the 1890s, and grew up “… Living in a mansion on Chicago’s ‘Millionaire’s Row.” But still, she was a role model for other women in adulthood and smashed through gender barriers that would have seemed impenetrable to other women of her time. I am impressed and glad that I now know about her. Thank you Rachel Monroe!
The author talks about the Manson murders which have been excessively covered, and yet the way she presents this crime is less about Manson, and more about how the crime changed so many things and so many people.
She speaks about the murder of Taylor Behl in 2005 which happened in her town. Rachel says “Part of what I was looking for, I realized, was overlap, all the ways she and I were similar. There was a troubling pleasure in thinking about how I could have been her, or she could have been me… It felt good, in a bad way, to think about my own proximity to violence. To imagine my life as a near miss.”
Rachel also addresses a phenomenon that has always perplexed me – that of women who “date” and/or marry men serving life sentences in prison. This section is a must read.
I even learned a new word:
HYBRISTOPHOLIA – the attraction to someone who has committed murder.
I never knew there was a word for it, but, in this day and age, I should not have been surprised.
All in all, Author Rachel Monroe has gone deep down many rabbit holes in her research for this book. She extensively studied so many factors that it is amazing she was able to whittle them down into a cohesive and compelling whole.
I rate SAVAGE APPETITES as 4 OUT OF 5 STARS ⭐⭐⭐⭐ and because of it’s subject matter, I forsee it becoming a book that is widely read. Perhaps she will have her own following at CrimeCon 2020. . *** Thank you to NetGalley for providing me with a free copy of this book. ***
ABOUT THE AUTHOR:
Photograph by Emma Rogers
Rachel Monroe is a writer and volunteer firefighter living in Marfa, Texas.
Her work has appeared in The Best American Travel Writing 2018, The New Yorker, The Atlantic, The New York Times, The New York Times Magazine, and elsewhere.
To learn more about this author, visit the following links:
Lee, who died in 1962, called her miniatures “nutshell studies” because the job of homicide investigators, according to a phrase she had picked up from detectives, is to “convict the guilty, clear the innocent and find the truth in a nutshell.”
“She became the first female police captain in the country, and she was regarded as an expert in the field of homicide investigation,” exhibit curator Nora Atkinson says.
When Lee was building her macabre miniatures, she was a wealthy heiress and grandmother in New Hampshire who had spent decades reading medical textbooks and attending autopsies. Police departments brought her in to consult on difficult cases, and she also taught forensic science seminars at Harvard Medical School, Atkinson says. Lee painstakingly constructed the dioramas for her seminars, basing them on real-life cases but altering details to protect the victims’ privacy.
“She was very particular about exactly how dolls ought to appear to express social status and the way [the victims] died,” Atkinson says.
“If a doll has a specific discoloration, it’s scientifically accurate — she’s reproducing the effects of carbon monoxide poisoning and positioning them based on when rigor mortis took effect.”
Tiny details in the scenes matter too. For example, fibers on one doll’s wounds match those on a nearby door frame.
At the Renwick exhibit, visitors will be given magnifying glasses and flashlights to conduct their own homicide investigations, but don’t ask museum staff for help — the scenes are still used in annual training seminars, so their secrets are closely guarded.
TRY TO DEDUCE WHAT HAPPENED IN THE 11 ITEMS POINTED OUT BELOW …
Frances Glessner Lee built the miniature rooms pictured here, which together make up her piece “Three-Room Dwelling,” around 1944-46.This is a puzzling case – – – – A beautiful woman lays shot to death in her bed, her clean-cut, pajama-clad husband lies next to the bed, also fatally shot. – Their baby was shot as she slept in her crib. – Blood is spattered everywhere. -All the doors are locked from the inside, meaning the case is likely a double homicide/suicide. – But something isn’t right. The murder weapon is nowhere near the doll corpses – instead the gun is in another room???
1. Lee used red nail polish to make pools and splatters of blood.
What details can you discover?
2. Lee crocheted this tiny teddy bear herself, so that future investigators might wonder how it landed in the middle of the floor.
3. The pattern on the floor of this room has faded over time, making the spent shotgun shell easier to find.
4. Lee knit this runner and sewed the toy chairs on it in this exact state of disarray.
5. The bedroom window is open. Could it be a sign of forced entry?
6. Lee would paint charms from bracelets to create some prop items. Others she bought from dollhouse manufacturers.
7. The table settings are sewn into place to indicate an orderly, prosperous family.
8. There’s one big clue in clear view in this room
9. Lee sewed the clothes worn by her figurines, selecting fabrics that signified their social status and state of mind. In some cases, she even tailor-made underwear for them.
10. The doll heads and arms were antique German porcelain doll parts that were commercially available. Lee would create the bodies herself, often with lead shot in them.
Leave your guess in the comments and I will come back and discuss it with you. In your comments post any clues or abnormalities in the scenes that you find.
A FEW MORE PICTURES OF THE “NUTSHELL” MINIATURE CRIME SCENES:
Every element of the dioramas—from the angle of miniscule bullet holes, the placement of latches on widows, the patterns of blood splatters, and the discoloration of painstakingly painted miniature corpses—challenges trainees’ powers of observation and deduction. The Nutshells are so effective that they are still used in training seminars today at the Office of the Chief Medical Examiner in Baltimore.
Showcasing the Nutshells at the Renwick allows visitors to appreciate them as works of art and material culture in addition to understanding their importance as forensic tools, and to see Lee’s genius for telling complex stories through the expressive potential of simple materials. While the Nutshells represent composites of real and extremely challenging cases featuring homicides, suicides, and accidental deaths, Lee imagined and designed each setting herself. She was both exacting and highly creative in her pursuit of detail—knitting tiny stocking by hand with straight pins, hand-rolling tiny tobacco-filled cigarettes and burning the ends, writing tiny letters with a single-hair paintbrush, and creating working locks for windows and doors.
The exhibition also highlights the subtly subversive quality of Lee’s work, especially the way her dioramas challenge the association of femininity with domestic bliss and upend the expected uses for miniature making, sewing, an other crafts considered to be “women’s work.” Also evident is her purposeful focus on society’s “invisible victims,” whose cases she championed. Lee was devoted to the search for truth and justice for everyone, and she often featured victims such as women, the poor, and and people living on the fringes of society, whose cases might be overlooked or tainted with prejudice on the part of the investigator. She wanted trainees to recognize and overcome any unconscious biases and to treat each case with rigor, regardless of the victim.
As the Nutshells are still active training tools, the solutions to each remain secret. However, the crime scene “reports” (written by Lee to accompany each case) given to forensic trainees are presented alongside each diorama to encourage visitors to approach the Nutshells the way an investigator would.
Nutshell “Kitchen” Picture # 1Nutshell “Kitchen” Picture # 2 Even the curtains perfectly match the original crime scene Nutshell “Kitchen” Picture # 3 The tiny rolling pin, the clock on the window sill and even miniature tea towels hang in this precise representation of the original scene
Dioramas or “Nutshells” as the creator of them referred to them, photographs were obtained from the website of the Smithsonian American Art Museum
Taylor Behl was a 17-year-old freshman at Virginia Commonwealth University in Richmond, left her dormitory room Sept. 5, 2005 to give her roommate some privacy with her boyfriend. She took with her a cell phone, some cash, a student ID and her car keys. She was never seen alive again.
To learn more about the murder of Taylor Behl, click HERE.
The Dragons, the Giant, the Women by Wayétu Moore, left, All Boys Aren’t Blue by George M. Johnson and Fairest by Meredith Talusan (Photo credit: Graywolf Press, Farrar, Straus and Giroux, and Viking)
I love a good memoir. Though the ever-expanding genre has been criticized over the decades by people who view them as egotistical and insular, memoirs can be transformative.
Tapping into a person’s unique experience and seeing the world through their eyes for a few hundred pages can expand our individual worldview, help us better understand our own experiences with broader issues—including grief—and introduce us to powerful voices who articulate and excavate their lives in ways that so few of us can.
Among the many memoirs slated for release in 2020, these 17 represent the very best of the genre.
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By: Adrienne Miller{ Ecco }RELEASED: FEB. 11, 2020 $28.99 PreOrder It Now
If you love fascinating memoirs about women navigating male-dominated industries, then Adrienne Miller’s book should already be in your cart. Miller began her career in media as an editorial assistant at GQ magazine in the 1990s before becoming the first woman to serve as Esquire’s literary editor. Given that media is still an industry run by men—many of them white, many of them powerful, and way too many of them drunk on their own power—Miller’s 30 years’ worth of reflections show, alas, just how much hasn’t changed for women finding their footing in an industry that allows only a few of us to break through.
Stephanie Land, author of the bestselling 2019 memoir Maid, says that Strung Out “will change how we look at the opioid crisis and how the media talks about it.” I agree.
Often, media stigmatizes the very people it aims to cover because there’s still so much we don’t understand about the development and impact of addiction. Erin Khar’s gift of a memoir examines her 15-year journey as a heroin user—and, perhaps more important, what brought her to drugs. Addiction stories are often linear (got hooked, hit bottom, got clean), but Khar instead offers a humanizing portrait not just of her own experience but of an issue that impacts more than two million people in the United States.
{Penguin Random House }RELEASED: MARCH 10, 2019 $26.00 Buy It Now
Prolific essayist Rebecca Solnit has long written about pop culture, politics, and mansplaining by weaving together her personal experience with a broader analysis, but it seems that Recollections of My Nonexistence is her first full-on memoir. Solnit brings readers to 1980s San Francisco for a comprehensive look at how she found her voice and her feminism amid discovering punk rock, witnessing rampant gender-based violence, and negotiating a culture of disbelief about everything from street harassment to rape. Recollections of My Nonexistence is also a memoir about writing, which is a gift from a writer as talented and transformative as Solnit. What shaped her perspective? How did she find the confidence to write with such stark honesty? These questions and more are answered.
{Belt Publishing }RELEASED: MARCH 10, 2020 $26.00 Buy It Now
Raechel Anne Jolie (who has contributed to Bitch) grew up in Cleveland, Ohio, in the 1990s, finding herself amid an alternative subculture of “race cars, Budweiser drinking men covered in car grease, and the women who loved them.” After her father is killed by a drunk driver, Jolie and her mother struggled to stay afloat: facing eviction, going days with electricity and water, and hurting each other to escape the pain of financial uncertainty. Rust Belt Femme follows Jolie as she leaves the neighborhood she called home for Cleveland Heights where a subculture with a lot of personality welcomes her, helping to define who she is and where she’s headed next.
By: Tanya Selvaratnam {Henry Holt and Co. }RELEASED: APRIL 7, 2020 $27.99 Buy It Now
According to the National Coalition Against Domestic Violence, nearly 20 people per minute in the United States are physically abused by their romantic partner, which breaks down to more than 10 million people suffering abuse in the course of a single year. It never becomes easier to read about intimate-partner violence, but it’s always necessary. Tanya Selvaratnam’s heart-wrenching memoir explores her volatile relationship with former New York State Attorney General Eric Schneiderman, which included controlling behavior, death threats, and violent sex that she felt powerless to stop given that her partner was the state’s top-ranking law officer.
Assume Nothing isn’t an easy read, but it’s an important window on how power insulates even the worst among us.
Crystal Rasmussen, born as Tom, never knew a life before drag queendom. Even as they grew up in northern England, Rasmussen knew they weren’t meant to blend in—standing out was a given. By the time Rasmussen leaves London for a fashion job in New York, they’d come into their own, and this hilarious memoir follows them through a year of adventures, from being onstage to being in bed to realizing the fashion world is even more cutthroat than pop culture portrays it. Diary of a Drag Queen is equal parts inspiring and funny as hell.
By: Marisa Meltzer {Little, Brown and Company}RELEASED: APRIL 14, 2020 $28.00 Buy It Now
According to the Boston Medical Center, an estimated 45 million adults in the United States embark on a diet every year, and for an increasing number of adults, an obsession with losing weight begins in childhood. Marisa Meltzer, a contributor to the New York Times and the New Yorker (who has contributed to Bitch), began her first diet at the age of 5, and since then has been on the familiar rollercoaster of losing and gaining weight. When Meltzer read the obituary of Jean Nidetch, the Queens housewife–turned–flamboyant founder of Weight Watchers, she realized how much her own journey ran parallel to that of the woman whose business became an emblem of our culture’s quest for thinness at any cost. This Is Big is an inventive memoir that examines Meltzer’s own experience with weight loss alongside Nidetch’s lucrative belief that community, not secretive shame, could transform people’s bodies and lives.
{Dey Street Books}RELEASED: APRIL 21, 2020 $27.99 Buy It Now
There comes a moment in many people’s lives when they realize that their parents or other guardian figures have lives, dreams, hopes, and goals outside of raising them and/or being a spouse. Comedian Sopan Deb’s revelation came as he approached his 30th birthday: He knew the basics about his parents, who’d immigrated, separately, from India to the United States in the 1960s and ’70s. He knew their marriage was arranged, and that his father returned to India several years into their marriage, leaving his children and his wife in suburban New Jersey, but he didn’t know much else. After the 2016 election, which found Deb juggling stand-up comedy and covering the Trump campaign for the New York Times, he decided to journey to India to reconnect with his father and in the process reconnect with himself.
Farrar, Straus and Giroux }RELEASED: APRIL 28, 2020 $17.99 Buy It Now
Award-winning journalist and activist George M. Johnson is one of my favorite people to follow on social media. His insights about everything from representation in pop culture to sexuality and health keep myself and many others engaged, and he brings that same level of introspection to his powerful memoir-manifesto. Johnson’s book is geared toward young adults—a market that needs this level of realness about everything from finding and harboring joy to bullying to navigating queerness. All Boys Aren’t Blue is a game changer.
When Nina Renata Aron began dating her boyfriend, K, it didn’t take long for him to relapse. Addiction is a disease; it can come upon those who are afflicted without warning and the effects are felt by the person addicted as well as those who love them. Good Morning, Destroyer of Men’s Souls explores how addiction transforms K, transforms their relationship, and transforms Aron’s relationship to herself and to her childhood. It’s difficult to tell someone else’s story of addiction with empathy and understanding, but Aron balances it all beautifully.
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I first learned about journalist and author Meredith Talusan in 2016 when she spearheaded Unerased, Mic’s award-winning multimedia project that chronicled the crisis of transgender women in the United States being murdered. Talusan has since been an integral part of them’s inaugural editorial team, where she still works as a contributing editor, and has been one of the strongest voices holding newsrooms accountable when they offer lip service to inclusivity but do not actually prioritize it. In Fairest, Talusan brings that same determination and brilliance to her own story, with recollections of immigrating to the United States, unlearning the gender binary, and, most important, coming into her own.
In Open Country By: Rahawa Haile {Harper}RELEASED: JUNE 2, 2020
On October 3, 2016, Rahawa Haile announced on Twitter that she’d successfully hiked the Appalachian Trail from Georgia to Maine with a photo that captured the triumph. Since then, she’s published a canonical piece in Outside that detailed her experience and an incredible essay in BuzzFeed about leaving books by Black authors for other hikers to discover. Her upcoming memoir considers “what it means to move through America and the world as a Black woman.” Though there aren’t too many details on In Open Country, we know what Haile is capable of as a writer—and that alone has us thirsting to dig into this book.
Is it possible to find home again after being unexpectedly uprooted during a political upheaval? That’s one of the questions at the center of Wayétu Moore’s second book, which chronicles one of the most difficult experiences of her young life. At the age of 5, the civil war in Liberia forces Moore and her family—minus her mother, who’s studying at a university in New York—to flee the country. After a three-week journey on foot, Moore and her family are smuggled to the border of Sierra Leone and, from there, travel to the United States to reunite with her mother and begin a brand new life. The Dragons, the Giant, the Women is a beautifully written book about the experience of migrating—a story, particularly in this moment, that can never be told enough.
{Bold Type Books}RELEASED: JUNE 16, 2020 $16.99 Buy It Now
Recent years have brought us an array of memoirs and essay collections that specifically center the experiences of gay men negotiating the tenacious homophobia of the United States: Michael Arceneaux’s I Can’t Date Jesus: Love, Sex, Family, Race, and Other Reasons I’ve Put My Faith in Beyoncé, Darnell L. Moore’s No Ashes in the Fire: Coming of Age Black and Free in America, and Saeed Jones’s How We Fight for Our Lives come immediately to mind. The success of these books feels like an assurance that we’ll continue to see stories like theirs move out of the margins of the literary canon. In The Groom Will Keep His Name, Matt Ortile, managing editor of Catapult, offers up his unique experiences as a Filipino immigrant figuring out how to date in a world where we’re all encouraged to be curated versions of ourselves. The book’s clever title reflects its witty and captivating takes on everything from one-night stands to dating apps and beyond.
{Little, Brown & Company}RELEASED: JULY 14, 2020 $28.00 Buy It Now
Many of us have fragmented memories that cause us to question what’s real and what we’ve imagined. But when St. Paul’s School, an elite boarding school in Concord, New Hampshire, was deemed a “haven for sexual predators” in a May 2018 lawsuit filed by two of the school’s alumnae, Lacy Crawford realized that her hazy recollection of being assaulted at age 15 by two fellow students many years earlier—and the efforts of the school’s administration, including faculty and clergy, to shield her attackers from consequences—wasn’t something she’d invented or imagined. Once St. Paul’s extensive history of burying crimes and harming victims became national news, Crawford got access to files about her case that she’d never seen before; her experience of revisiting the trauma, realizing just how far the school had gone to protect her assaulters, and coming to terms with the cost of that injustice is the foundation for this incredible memoir.
Pulitzer Prize–winning poet Natasha Trethewey has long said that her mother’s 1985 murder at the hands of her ex-husband propelled her into the art form and has continued to haunt her even as she’s found extraordinary success that includes being named U.S. Poet Laureate in 2012 and 2013. Trethewey told the Chicago Tribune in November 2018 that she thinks of herself as “someone who has lived in a state of bereavement my whole adult life,” and in Memorial Drive, she explores the loss and lingering grief that has shaped so much of her work. Trethewey’s heartbreakingly beautiful memoir honors her mother, Gwendolyn, while also indicting a culture that fails to protect abuse victims as they try to retrieve their lives from the clutches of their abusers.
{Flatiron Books}RELEASED: AUGUST 4, 2020 $26.99 Buy It Now
Since the #MeToo movement spotlighted predators in Hollywood, journalism, and beyond, a number of memoirs have taken stock of how power dynamics can shape—and exploit— an array of relationships, including platonic ones between teachers and students (Donna Freitas’s Consent: A Memoir of Unwanted Attention) and those where the boundaries of friendship are betrayed by rape (Jeannie Vanasco’s Things We Didn’t Talk About When I Was a Girl). Allison Wood, winner of the inaugural Breakout 8 Writers Prize and a creative writing teacher at New York University, adds to this growing canon with a chronicle of her two-year relationship with her high-school English teacher.
There’s more…
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From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you’ve ever heard.
Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.
A girl grows up in Nunavut in the 1970s. She knows joy and friendship and parents’ love. She knows boredom and listlessness and bullying. She knows the tedium of the everyday world and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol and violence at the hands of those she should be able to trust. She sees the spirits that surround her and the immense power that dwarfs all of us.
When she becomes pregnant, she must navigate all this.
Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.
Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine listeners will never forget. . . ….. https://player.vimeo.com/video/348888772 ………
MY REVIEW:
**TRIGGER WARNING ** This book contains descriptions of child sexual abuse. If this topic is a trigger for you, I suggest you give this book a pass. ***************************
I purchased a copy of this audiobook from Audible and now that I have finished listening to it, I believe audio is the best way to experience SPLIT TOOTH.
I feel so privileged to have listened to author Tanya Tagaq read her book aloud. Traditionally, the Inuit people passed down their stories and traditions in exactly this manner. Oral storytelling was the norm.
Not only does the author read this book with emotion and depth of experience, she also includes quite a bit of Throat Singing which is incredible to listen to. The sounds are somehow both ethereal and haunting and despite the lack of lyrics, or maybe because of it, the meanings behind the sounds are quite clear.
Poignant. Visceral. Heart-breaking and real. Tanya Tagaq manages to convey her story in such a unique fashion that it is impossible to ever forget. Despite the heaviness of some of the subject matter, there are many moments of joy, happiness, peace, and a sense of belonging to something greater than herself.
The unfortunate details of abuse, both physical and sexual that Tanya endured as a child were perpetrated by those who should have been her protectors.
No matter what she endured, she knew that she was capable of survival.
The evils of the Canadian Residential Schools had so thoroughly erased her native language that hardly anyone in her ‘town’ knew how to speak it anymore. Not only that, but unthinkable abuses – sexual, physical, cultural and mental were forced upon Residential School “students,” (who were actually prisoners, since neither the children, nor their parents had any choice about attending.)
Make no mistake – these “schools” were an attempt at genocide of the Inuit and of all Indigenous people. There is no excuse or apology that can be adequate enough to erase the damage they caused. And, that damage has reached across the hands of time and affected many children of subsequent generations, including Tanya herself.
Don’t mistake my description to mean that Tanya Tagaq’s memoir is a litany of anger and complaint. It is anything but. Her writing is akin to reading her diary. Listening to the audiobook, I feel as though I have seen inside her very soul. If that sounds over dramatic, I apologize, it is truly the way I feel.
This audiobook is not to be missed. I am sure that just reading the book would be a terrific experience, but as I said above, audio format makes this book not just a story, but also an experience.
I am rating SPLIT TOOTH by TANYA TAGAQ as 5 OUT OF 5 STARS ⭐⭐⭐⭐⭐
Tanya also has many music albums available for purchase and after hearing some of her traditional throat singing, I will be downloading her music as well. .
. QUOTES:
Examples of the artwork Tanya Tagaq has created.
“… pain is to be expected, courage is to be welcomed. There is no choice but to endure. There is no other way than to renounce self-doubt. It is the time of the Dawning in more ways than one. The sun can rise, and so can I.” . “In the spring you smell last fall’s death and this year’s growth as the elder lichen shows the young how to grow.” . “We are product of the immense torque that propels this universe. We are not individuals but a great accumulation of all that lived before.” . . . ABOUT THE AUTHOR:
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